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A Life of Her Own
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Directed by George Cukor
Lana Turner stars as an ambitious model who seeks her fortune in New York City. She is befriended by over-the-hill cover-girl Ann Dvorak, whose performance carries the story until she commits suicide twenty minutes into the film. Turner promises herself that she won't end up burned out like Dvorak, but as her fame grows, she is inexorably drawn into the hectic social whirl that sealed Dvorak's doom. Enjoying the favors of wealthy Ray Milland, Turner seeks out Milland's wife (Margaret Phillips), hoping to convince the woman to give up her husband. When she meets the crippled Mrs. Milland, Turner is made painfully aware of the length and breadth of the woman's love for her husband. Turner pulls out of the relationship, and we are encouraged to believe that hers will be a much happier and more fulfilling life than that of the unfortunate Ann Dvorak (ironically, in real life Ann Dvorak's final days were relatively contented ones, while Lana Turner spent her twilight years wondering where the looks, the men and the money had gone). Though not so noted in the credits, A Life of Her Own was inspired by The Abiding Vision, a novel by Rebecca West. Bronislau Kaper's musical score was later recycled for the 1951 MGM romantic drama Invitation. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
A Life of Her Own is an entertaining enough little melodrama that might have been more memorable if Douglas Sirk had gotten his directorial hands on it. This isn't to impugn George Cukor, whose direction is solid and gets the job done in an admirable fashion, but this kind of ridiculous romance needs the kind of full-blown, devil-may-care commitment that Sirk excelled at. Even Sirk couldn't have made a classic of Life, the material is simply too weak for that. But he would have found the nuggets in it that really spoke to him and mined them for all they were worth, giving A Life of Her Own some mountainous heights rather than the little hills that Cukor builds up. Things certainly start out promisingly, but as soon as Ann Dvorak bites the dust -- which is less than 20 minutes into the film -- a lot of life goes out of the film. Things are also not helped by an ending that is lame and lifeless. Dvorak is a marvel, making the most out of what is really second rate material, and star Lana Turner suffers in comparison. However, Turner's glamour and appeal see her through the role and she's so stunning -- even with a few extra pounds on -- that one is willing to accept the fact that she's a little too old and too hefty to be playing an aspiring young model. Ray Milland is fine as her love interest, and there's good supporting work from Jean Hagen, Kathleen Freeman, and Margaret Phillips, among others. For fans of the genre, it's not bad and it's worth watching -- but it's not a classic. ~ Craig Butler, All Movie Guide
 

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