A Hole in the Head (1959)

A Hole in the Head has many of the elements that one associates with Frank Capra -- a belief in the innate goodness of people, a fondness for strong willed dreamers, a concern with the manner in which making a living keeps people from living a living -- but it lacks the spark associated with the master's better efforts. In Hole, it's almost as if Capra didn't really believe in the screenplay, which is understandable -- it treats these subjects in a very plastic, artificial manner. Even in his classic, Capra is manipulative, but one always feels the manipulation is in the service of a very good cause. Here, the material doesn't bring forth that commitment, so Capra's work seems halfhearted -- and that affects the rest of the film. It doesn't help that Frank Sinatra, cast in the lead role, comes across as somewhat self-conscious; he's playing at the role rather than living it. This is made all the clearer when he's contrasted with Edward G. Robinson, who turns in a beautifully realized performance as a crusty hard nose who's got a big soft spot. Thelma Ritter is also in fine form, and Eleanor Parker does fine with an indifferently written role. Hole isn't a difficult film to sit through (and those hungry for family-friendly films will certainly welcome it), but it's a bit of a disappointment. The film does feature one sequence that many will adore -- and some will find excruciating -- namely, the performance of the Oscar-winning "High Hopes." ~ Craig Butler, All Movie Guide