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A Fistful of Dollars
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Directed by Sergio Leone
By the time Sergio Leone made this film, Italians had already produced about 20 films ironically labelled "spaghetti westerns." Leone approached the genre with great love and humor. Although the plot was admittedly borrowed from Akira Kurosawa's Yojimbo (1961), Leone managed to create a work of his own that would serve as a model for many films to come. Clint Eastwood plays a cynical gunfighter who comes to a small border town and offers his services to two rivaling gangs. Neither gang is aware of his double play, and each thinks it is using him, but the stranger will outwit them both. The picture was the first installment in a cycle commonly known as the "Dollars" trilogy. Later, United Artists, who distributed it in the U.S., coined another term for it: the "Man With No Name" trilogy. While not as impressive as its follow-ups For a Few Dollars More (1965) and The Good, the Bad, and the Ugly (1966), A Fistful of Dollars contains all of Leone's eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Not released in the U.S. until 1967 due to copyright problems, the film was decisive in both Clint Eastwood's career and the recognition of the Italian western. ~ Yuri German, All Movie Guide
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"I saw 800 Bullets a couple years ago at the Philadelphia International Film Festival. It was one of those movies that you will either see at a festival or have to seek out on Netflix. The movie is about these out of work actors who had all been stuntmen on the Clint Eastwood spaghetti Westerns of the 60s and 70s. (A Fistful of Dollars (1964) [More]
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by Risselada in Risselada Blog
loved it.
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"Per un pugno di dollari (A Fistful of Dollars)What can I say? This movie started a pretty huge avalanche. Both for Leone's and Eastwood's careers, the budding Spaghetti Western genre, and probably for for European genre movies in full.As probably anyone reading this is already well aware, it's pretty much a close remake of [More]
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loved it.
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"This blog entry is part of my “movie year countdown”. To read more about that check out my first Spout filmblog entry.YojimboIt's the second time I've seen this movie, and hey it's a lot of fun. Listening to discussion of this film fits you into a whole back and forth " [More]
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"[quote user="mciocco"] Sanjuro in Yojimbo and Sanjuro I totally agree with the previous choice of The Man With No Name, and Sanjuro is basically the same character (after all, A Fistful of Dollars is basically the same as Yojimbo) " [More]
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"Interesting anime picks:) Here are some others I thought of: Harry Callahan from Dirty Harry He's so likeable that most people probably wouldn't even peg him as an anti-hero, but when you think about it, he really boils down to a vigilante. Indeed, Eastwood took so much crap for it that the sequel had him firmly rebuffing real vigilantes. He's a "the end " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
liked it.
The hugely influential A Fistful of Dollars launched the careers of star Clint Eastwood, director Sergio Leone, and composer Ennio Morricone. Essentially a remake of Akira Kurosawa's Yojimbo, the film was one of the first low-budget, Italian-made "spaghetti westerns" to reap a significant amount of money and develop a cult following in the U.S. marketplace. Though John Ford's 1956 film The Searchers marked the of end the traditional western, Leone's "Man with No Name" trilogy ushered in a new, highly stylized version of the genre, revitalizing it in the late 1960s. Dollars and its companions, For a Few Dollars More and The Good, the Bad and the Ugly, are raw portrayals of suffering and violence which blur the lines of good-versus-bad. Eastwood's cold, squinting, anti-hero is at the heart of the new amorality; it would be a role that would influence the rest of his career. For Leone, the trilogy would be a training ground for his masterpiece, the big-budgeted Once Upon a Time in the West. Morricone went on to become one of the most prolific, instantly recognizable composers in movie history. ~ Brendon Hanley, All Movie Guide
 

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