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A Day of Fury
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Directed by Harmon Jones
A Day Of Fury stars Jock Mahoney as town marshal Alan Burnett, whose life is saved by a stranger he meets on the trail. His rescuer turns out to be Jagade (Dale Robertson), a gunslinger just returned after years away, who finds when he gets into town that he can't abide the peace that has been settled between "his" people (i.e. the saloon-keepers, gamblers, etc.) and the righteous, "respectable" folk. Jagade stirs up trouble by persuading the saloon owners to open on Sunday, which they'd voluntarily stopped doing years ago. Suddenly, the peace that had settled over the town is broken, and gambling and other vices that had been in check rise anew, drawing in many of the respectable townsmen and women in the process -- some of the men can't resist the lure of a good high-stakes poker game or a pretty woman, and even the spinster schoolteacher finds herself drawn to Jagade's dark charisma. An escalating cycle of vice and violence unfolds in barely 24 hours; Burnett won't back Jagade down, partly because the man has broken no laws and also partly due to his gratitude to the gunman for saving his life. None of the townspeople can comprehend his inaction, however, and this soon jeopardizes not only his job as marshal and his safety, but also the well-being of his fiancée, Sharmon Fulton (Mara Corday), who was a saloon girl before she was brought out of that life and given a home with a respectable family. Soon Jagade loses control of what he's started, and the town begins to destroy itself in a cycle of guilt, anger, betrayal, murder, suicide, and lynch law. ~ Bruce Eder, All Movie Guide
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Review by All Movie Guide
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A Day of Fury is the kind of movie that helps disprove the myth that all Hollywood features of the 1950s espoused complacency. Along with such earlier Westerns as Henry King's The Gunfighter and Fred Zinnemann's High Noon, and contemporary works such as Anthony Mann's The Tin Star, A Day of Fury is a symbolic plunge into the hypocrisy of its era -- a nasty, disquieting look at middle-class complacency and many of the assumptions behind it. Jock Mahoney makes an excellent hero, a not-too-clever everyman caught between his honest gratitude to a man who may not deserve it and the larger responsibility that he has to his community, whose members may not appreciate (or even deserve) the sacrifices he must make. Dale Robertson, who was about to emerge as a heroic figure in popular culture as the star of the television series Wells Fargo, gives one of the best performances of his career as a genuinely complex villain, by turns daring, bold, and even oddly "upright" in his peculiar way of doing things; he successfully creates the illusion of the larger-than-life presence that comes just short of destroying the community he has entered. Additionally, director Harmon Jones coaxed excellent supporting performances out of Mara Corday, as a woman tragically wronged by the people who profess to want to help her; Jan Merlin as Billy Brand, a teenager with a violent streak; Dee Carroll as Miss Timmons, the dedicated schoolteacher who is unprepared for the way in which Robertson's Jagade tempts her darker side; and John Dehner as the minister who finds his faith demands the ultimate sacrifice. ~ Bruce Eder, All Movie Guide
 

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