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A Clockwork Orange
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Directed by Stanley Kubrick
Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess' novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and raping his wife while jauntily warbling "Singin' in the Rain." After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide
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RisseladaRisselada Re:Convince us...
by Risselada in Movies I do not want to see
loved it.
Was this review helpful? [Be the first to tell us!]
"It seems like a lot of these movies some of you just don't want to see due to violence or other dark or deprived behavior. If that is the case, I won't argue. But if you think that it's possible for depravity in a movie to lead to transcendence, there is some great stuff here. Twelve Monkeys is just amazing. I really don't remember that much violence in it. Maybe in the WWII scene?? " [More]
pippin06pippin06 Viewing A Clockwork Orange for ...
by pippin06 in Reel Thoughts
liked it.
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"What's the AFI Project, you ask? For more information, or if you just enjoy my bemused ramblings, read here: http://www.spout.com/blogs/pip pin06/archive/2008/3/1/25756.a spx A Clockwork Orange is on the following AFI lists: The Original Top 100 (#46)100 Most Heart-Pounding Movies (#2 " [More]
SpoutBlogSpoutBlog Clothes to the Future. Clip of ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Today’s clip isn’t exactly film-related, but it does tie into Kevin’s list from earlier about unsuccessful movie prophecies. Plus, its title somewhat references Back to the Future, and anything pa " [More]
TenenbaumsTenenbaums Just Say No
by Tenenbaums in Tenenbaums Blog
loved it.
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"Last week, I told you about the best film of 2008. Today, I'll tell you about the worst.This particular stinker has the distiction of being on several critics' year-end Best Of lists (including both Adam and Matty from my beloved Filmspotting) and of earning a score of zero on the Metacritic score from the honorable A.O. Scott of the New York Times, thereby placing it in the ranks of the worst of all time. The film is cloaked as a high-brow commentary, meant to inspire dialogue s " [More]
SpoutBlogSpoutBlog Wall-E vs The Academy: Seven Sn ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"It’s only a couple of short weeks before the 2008 Oscar nominees are announced, and the internet is abuzz with prognostications. One hotly debated topic is whether or not [More]
pippin06pippin06 Re:Which of these movies direct ...
by pippin06 in Movie Polls
"Of these Kubrick films listed, I've seen: 2001: A Space OdysseyA Clockwork Orange[More]
RisseladaRisselada Which of these movies directed ...
by Risselada in Movie Polls
"Please reference this thread for the rules of this group. Please vote only once in each poll. Movies referenced in this poll:[More]
RisseladaRisselada Re:The Worst movies I have seen ...
by Risselada in Worst Movie Ever
"[quote user="whoo69"] You said it, esp. with Clockwork Orange. I could not STAND that piece of shit they call a "film." What's the appeal? It's idiotic. I couldn't even watch the whole thing. I watched like 20 minutes of it before I kept fast-fowarding, trying to find a really good part, and then I just got frustrated and sent it back to Netflix. It seems to me the people who act like Clockwork Orange or Requiem are "classics" are morons or sheep or " [More]
RisseladaRisselada Re:Which of these films from Ke ...
by Risselada in Movie Polls
"Here are some more if anyone cares: 8. Stanley Kubricks's 'Napoleon' Riding high on the critical success of 2001: A Space Odyssey (1968), Kubrick believed that he had MGM in the palm of his hand, and was finally in a position to make 'the one film I've always wanted to make, the life of Napoleon'. He was almost right: Napoleon came so close to being shot that " [More]
RisseladaRisselada Re:Weekly Theme for April 6: Ev ...
by Risselada in Weekly Theme
"[quote user="leeroy711"] I've been meaning to do this for a while now. Every week I think I'm gonna do it, I find something that happens to be more relevent to my current week. Well, I guess this is as good a week as any. Let's talk about Austrailian flicks. I rewatched Chopper the other night and I must say, I don't remember it being as brilliant as I found it this time around. < " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
loved it.
After the visionary journey through space and time of 2001: A Space Odyssey, Stanley Kubrick offered a very different look at the future (which seemed uncomfortably close to the present) in A Clockwork Orange. But if one has to compare A Clockwork Orange to any of Kubrick's other films, it comes closest to Dr. Strangelove: for all its horrific violence and troubling moral ambiguity, it is ultimately a satire, and, like Dr. Strangelove, it wrings a shocking amount of humor from situations that few people would think of as funny. With the notable exception of Alex (Malcolm McDowell in the best performance of his career), most of the characters are little more than cartoons (with dialogue to match), while a great deal of the violence walks a fine line between Looney Tunes absurdity and crushingly vivid brutality. Kubrick's future state is often garish and ugly, veering between an amusingly hideous riot of color and texture gone wrong and the decaying remnants of a cinder-block nation (remarkably, Kubrick and production designer John Barry built only one set for the entire film, with everything else shot on existing locations that were dressed in "futuristic" style). And Kubrick throws in plenty of crude comic relief that suggests some degenerate variation on a Carry On film; from the overexcited school representative to the doctor and nurse enjoying recreational sex as Alex regains consciousness, Kubrick places his grim vision in an England where foolish absurdity is the order of the day. And while Alex seems one of the few characters capable of making a complex moral choice (never mind how sinister his choices happen to be), he also takes his choice more seriously than anyone else in the film. Alex has adopted violent hedonism not out of profit, politics, or pragmatism, but because he likes it, and, while this makes him difficult to admire, he's still the smartest and freest man in the film's moral universe. ~ Mark Deming, All Movie Guide
 

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