Trailer Page Revamped
Advertisement
Sign in
Username   Password         Forgot password?
Wanna join? Sign up
Drowning by Numbers
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

Watch trailerWatch trailer

Rent it, watch it, find it

Advertisement
Directed by Peter Greenaway
Peter Greenaway wrote and directed this typically surreal and iconoclastic black comedy. Three generations of women who share the same name -- 63-year-old Cissie Colpitts (Joan Plowright), her daughter Cissie Colpitts II (Juliet Stevenson), and granddaughter Cissie Colpitts III (Joely Richardson) -- have all discovered the same way of dealing with their marital problems. The senior Cissie has drowned her husband Jake (Bryan Pringle) in the bathtub, her daughter sent her spouse Hardy (Trevor Cooper) to a watery grave in the ocean, and the youngest Cissie sent her husband Bellamy (David Morrissey) down in a swimming pool. Needless to say, local coroner Henry Madgett (Barnard Hill) has some questions about this sudden rash of drownings among the Colpitts husbands, and again all three women respond in the same way: they promise to sleep with Henry in exchange for recording the deaths as accidental (though none of the Cissies make good on this promise). When the local gossip mill begins working overtime about this sudden rash of water-related deaths, Henry's teenage son Smut (Jason Edwards) comes to the aid of the Cissies and organizes a tug-of-war, with he and the Colpitts women on one side and the doubting townspeople on the other (and, of course, a river in the middle). Along the way, Greenaway often stops to contemplate his obsessions with literature, astronomy, and numbers. Drowning by Numbers was released in Europe in 1988, but didn't find its way to American screens until 1991, following the success of Greenaway's The Cook, the Thief, His Wife and Her Lover. ~ Mark Deming, All Movie Guide
[More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
liked it.
Iconoclast Peter Greenaway achieved his biggest crossover success at the time with this tidy, baroque rumination on marriage, deceit, and sisterhood. The result is something of a primer for anyone unfamiliar with Greenaway's work: there is the director's obsession with forms, patterns, and numbers; his fascination with women and sexuality; and his strong taste for all things gruesome, scatological, and macabre, which he insists lurk beneath the veneer of polite Western society. As the three identically named women at the center of the film unapologetically kill their male partners, the film acquires a deadpan, absurdist glee which had been in short supply in Greenaway's previous efforts, and which he would exploit in his next feature, the breakthrough The Cook, The Thief, His Wife and Her Lover. Greenaway's penchant for subversive casting results in a welcome comic turn from the legendary Joan Plowright, whose Hollywood career achieved something of a resurgence in the years that followed. ~ Michael Hastings, All Movie Guide
 

Community ratings

mavens
Spout mavens
liked it.
most people
Most people
liked it.

Other opinions

lyle30116
lyle30116
loved it.
jsanto
jsanto
loved it.
rik_tod
rik_tod
liked it.