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The Draughtsman's Contract
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Directed by Peter Greenaway.
Peter Greenaway's first fiction feature (after the mock-documentary The Falls) made him immediately famous and was named one of the most original films of the 1980s by British critics. The action is set in the director's beloved 17th century. Ambitious young artist Mr. Neville (Anthony Higgins) is invited by Mrs. Herbert (Janet Suzman) to make 12 elaborate sketches of her estate. Besides money, the contract includes sexual favors that Mrs. Herbert will offer to the draughtsman in the absence of Mr. Herbert. Entirely confident in his ability to weave a web of intrigues, Mr. Neville eventually becomes a victim of someone else's elaborate scheme. The film is structured as a sophisticated intellectual puzzle like the ones popular in the 17th century. There is a lot to pay attention to besides the intrigues -- fancy wigs, conversations by candlelight, English parks, Purcell-inspired baroque music by Michael Nyman, all to please the eyes, soothe the ears, and stimulate the mind. ~ Yuri German, All Movie Guide
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KarinaKarina Peter Greenaway: ‘Dazzling’ Edu ...
by Karina in Karina on SpoutBlog
hasn't rated it.
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"My favorite part of this NY Times story about filmmaker Peter Greenaway’s “dazzling confection” Leonardo’s Last Supper––wherin he “enhanced” the original painting for one night only by introducing sweeping lights, “rhythmic” music, and the generally ill-advised planetarium aesthetics––is the explanation of why the event almost didn’t happen: A vigorous debate erupted earlier this year after some art historians recommended that Mr. Greenaway be denied access to “The Last Supper.” They feared for the well-being of the painting, which began to deteriorate only 20 years after its completion in 1498. Cultural officials also objected to what they saw as the improper use of a monument with an intrinsic universal value…“I don’t know why we would allow anyone to run the risk of possibly damaging a work of art in which the Italian state has invested a huge number of resources in the last 20 years,” said Marisa Dalai Emiliani, one expert who opposed the project. While champions insisted that ... " [More]
SpoutBlogSpoutBlog Peter Greenaway: ‘Dazzling’ Edu ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"My favorite part of this NY Times story about filmmaker Peter Greenaway’s “dazzling confection” Leonardo’s Last Supper––wherin he “enhanced” the original painting for one night only by introducing sweeping lights, “rhythmic” music, and the generally ill-advised planetarium aesthetics––is the explanation of why the event almost didn’t happen: A vigorous debate erupted earlier this year after some art historians recommended that Mr. Greenaway be denied access to “The Last Supper.” They feared for the well-being of the painting, which began to deteriorate only 20 years after its completion in 1498. Cultural officials also objected to what they saw as the improper use of a monument with an intrinsic universal value…“I don’t know why we would allow anyone to run the risk of possibly damaging a work of art in which the Italian state has invested a huge number of resources in the last 20 years,” said Marisa Dalai Emiliani, one expert who opposed the project. While champions insisted that ... " [More]
JymkataJymkata Re: Favorites
by Jymkata in British Invasion
liked it.
"My UK Favorites:I'm not sure if you're only looking for movies set in the UK (with stiff upper lips & veddy,veddy Brittish accents), but these are my favorite productions made in the UKTelevision: The Office, The Singing Detective, Yes, Minister, Tinker, Tailor, Soldier, Spy, and Smiley's PeopleI'm All Right JackBrazilThe Bridge on the River KwaiThe Red ShoesA Matter of Life and Death (Stairway to Heaven)Layer CakeBloody SundayEnigmaThe General (Boorman)The Cook, the Thief, his Wife, and her LoverThe Draughtman's ContractThe Killing FieldsThe Great Train RobberySleuthBedazzled (1967)The HillThe Spy who Came in From The ColdGoldfingerThe Masque of the Red DeathZuluThe HauntingLawrence of ArabiaThe InnocentsThe LadykillersThe Importance of Being EarnestThe Lavender Hill MobThe Browning VersionOdd Man OutThe Third ManBlack NarcissusThe Life and Death of Colonel BlimpThe 39 StepsStage Fright " [More]
Review by All Movie Guide
All Movie Guide
loved it.
The Draughtsman's Contract is a seductive cinematic puzzle, with all the visual richness and style that have come to be associated with the film's director, Peter Greenaway. Like other Greenaway efforts, the story is dense with multiple layers. Deception, both of fact and motive, permeate the texture to the point that there is almost too much for audiences to assimilate in one viewing. While the performances are uniformly excellent, it is Greenaway's ability to create a vivid historical setting that most distinguishes the film. Michael Nyman's carefully crafted and historically appropriate score contributes greatly to the verisimilitude. The cinematography is unusually straightforward for a Greenaway film, with numerous static camera set-ups providing a head-on look at the proceedings. ~ Richard Gilliam, All Movie Guide
 



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