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Black Girl
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Directed by Ousmane Sembene
The first major work of Senegalese director Ousmane Sembene, this 1966 film is widely recognized as one of the founding works of African cinema. Diouanne Therese N'Bissine Diop, a young Senegalese woman, is employed as a governess for a French family in the city of Dakar. She soon becomes disillusioned when the family travels to the Riviera, where her comfortable duties as a nanny in a wealthy household are replaced by the drudgery and indignities of a maid. In a series of escalating confrontations with her mistress (Anne-Marie Jelinek), Diouanne is painfully reminded of her racial identity. She is caught in the tension between the French upper-class and post-colonial West Africa and finds herself alienated from both worlds. Along with narration and dialogue in French, this film also shares the sparse tone and visual style of French cinema of its period. Nevertheless, the influence of Sembene's European counterparts does not diminish this subtle but striking examination of racial and cultural prejudice. ~ Jonathan E. Laxamana, All Movie Guide
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All Movie Guide
is neutral about it.
Ousmane Sembène, a pioneer of African cinema, first gained international attention with this story of the legacy of colonialism, adapted from the true incident of an African maid's suicide in France. An illiterate in a strange country, Diouanna is at the mercy of her white French employers; while Diouanna's refusal to speak makes her even more inscrutable to her boss, Sembène lends insight into her hopeless situation through her interior monologues and flashbacks to Senegal. Despite technical limitations, Sembène's location shooting pointedly, and poignantly, contrasts the flow of life in Dakar with Diouanna's claustrophobic existence in the French apartment, literalizing her entrapment. Black Girl's worldwide acclaim rendered it the first major work of African cinema, and it established Sembène as the foremost filmmaker in sub-Saharan Africa. ~ Lucia Bozzola, All Movie Guide
 

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