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Evita
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Directed by Alan Parker.
Evita is based on the musical by Andrew Lloyd Webber and Tim Rice. Actually, the film is more of an opera, with only short moments devoted to dialogue. "Evita" is the friendly, family version of the proper name "Eva," and this film tells the story of Eva Peron (1921-52), a woman whose name evokes powerful feelings in her native Argentina. Throughout this film, as in the musical, the story is explained and commented on by a character known as "Che," played here by Antonio Banderas. The film begins with the news of Evita's death, and then turns to a much earlier scene at her father's funeral. Eva (Madonna) was an illegitimate child (one of many) of a rural landowner and her seamstress mother. Hers is not a wealthy childhood by any means, and she is constantly discriminated against because of her lowly birth. She is refused admission to her father's funeral for this reason. This scene is contrasted with her own funeral, a spectacular affair, not different from the funeral of a beloved head of state. Eva Peron leaves her village at age 15, in the arms her lover Agustin Magaldi (Jimmy Nail), a traveling singer. With his help, she goes to Buenos Aires and begins her campaign to become a performer, actress, and public figure. Many men help her during these years, and she is reported to have given her favors freely. That changes when she becomes involved with Juan Peron (Jonathan Pryce). In 1944, when they meet, Peron is an ambitious young army officer, serving in the right-wing government of the time. When he falls afoul of the government and is imprisoned, Eva uses her position as a celebrity and radio performer to get him released. Peron marries his feisty mistress when he is freed from prison. Eva is a formidable supporter, and her help is crucial to his later becoming head of state. Once Juan Peron becomes the President of Argentina, Eva expects better treatment from Argentina's high society, but they snub her brutally. She, in response, diverts government money from society-led charities, and starts the Eva Peron Foundation. As its president, she works tirelessly to directly better the lot of Argentina's poor. For this work, and for having risen from poor origins to glory, she is beloved by huge masses of her fellow citizens, if not by those in high society. She also arranges for the enfranchisement of women in Argentina. Thus, her death of uterine cancer at age 33, while she was at the height of her power and influence, strikes the whole world as tragic. ~ Clarke Fountain, All Movie Guide
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CinemaRianCinemaRian Evita (1997, USA, Alan Parker) ...
by CinemaRian in CinemaRian Blog
hasn't rated it.
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"Would the life of the wife of the former President of Argentina be a good idea for a musical? Surprisingly, yes, although not a perfect one. I'm sure that in 1976, when the musical was first unveiled, few people outside of South America knew or cared about Eva Peron, despite the fact that in her time, she was easily the most powerful woman on the continent. It's necessary to know a little about her life to discuss the musical, so bear with me. Eva Durate (also known as Evita) was born into a poor family in a rural Argentina, and managed to become a fashion model and movie star, apparently by sleeping her way to the top. She then married Colonel Juan Peron, who later became President of the country. While in office, Eva became beloved by the working classes of Argentina, who became convinced that she was working on their behalf. She was also despised by the aristocracy and the military. Evita became so popular that her named was vetted as a Vice-Presidential candidate when Peron ran ... " [More]
AlienLazerAlienLazer I liked the song.
by AlienLazer in AlienLazer Blog
lost interest.
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"Sure, Antonio Banderas and Madonna were very hot... very hot indeed, but the best part about this movie was the song. Yeah, I'm pretty sure you know what song I'm jibbering about. " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Madonna finally scores an onscreen triumph in Alan Parker's visually resplendent, slightly overlong but always entertaining adaptation of the hit Andrew Lloyd Webber-Tim Rice musical of the same name. A risky project with the potential to be disastrous, the film is illuminated by its key performers, especially Antonio Banderas, whose surprisingly robust singing voice and fierce sexual charisma give the movie a much-needed jolt of electricity. Evita illustrates a return to musical filmmaking for versatile director Parker (following Fame and The Commitments), who does a commendable job opening up the picture from its stage origins, and Darius Khondji's luminous widescreen photography captivates. This project was apparently on the shelf for decades, with performers like Meryl Streep and John Travolta attached along the way, not to mention several top filmmakers. In an act of sheer will, however, Madonna won the coveted lead role after writing a passionate letter to Parker explaining why she was the perfect woman to embody the charismatic and complicated Eva Peron. Additionally, the film's one original new song, "You Must Love Me", won the Academy Award for Best Original Song at the 1996 Oscars. ~ Jason Clark, All Movie Guide
 

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ameurb
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