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Nick of Time
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Directed by John Badham.
A stranger pulled into a deadly scheme races against time to save his daughter in this thriller. Gene Watson (Johnny Depp) is an accountant who comes to L.A. with his ten-year-old daughter Lynn (Courtney Chase) to attend a funeral. On the street, Gene and Lynn are pulled aside by Mr. Smith (Christopher Walken) and Ms. Jones (Roma Maffia), who flash what look like police badges and usher them into a van. Gene soon discovers that he's been kidnapped, and his captors have an unusual demand -- if Gene does not murder Gov. Eleanor Grant (Marsha Mason) within 75 minutes, his daughter will be killed. Gene now has just an hour and a quarter to tip off the authorities, spare Gov. Grant, and find out what Smith and Jones are trying to do, along with saving his daughter's life. He finds a much-needed ally in one-legged shoe-shine man Huey (Charles S. Dutton). Most of the action in Nick of Time occurs in "real time," meaning that the passage of time on screen matches that of real life, as the frequent shots of clocks and watches will attest. ~ Mark Deming, All Movie Guide
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SpoutBlogSpoutBlog Trailer of the Day: 88 Minutes
by SpoutBlog in SpoutBlog on spout.com
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"I know star power isn’t what it used to be, but doesn’t it seem like we still give Al Pacino more credit than he’s worth? Despite his receiving an Oscar fifteen years ago, the guy hasn’t been a completely dependable actor in more than two decades. And yet a lot of people write about his upcoming movies as if they could maybe, possibly, hopefully be on par with the actor’s ’70s work. I’m not denying that he’s excellent in a few films of even the past ten years (particularly The Insider), but let’s not forget he was also in Gigli, so it isn’t like he’s making the same smart choices he was making as a younger man. And now here’s 88 Minutes, another movie that attempts to give us a thrilling plot in real time, a la 24. But despite such a gimmick working with old films like High Noon and 12 Angry Men, when it’s presented as a gimmick, and clearly as the only reason a movie is made (as in the cases of Nick of Time, Timecode and Phone Booth), it always comes off as forced and (obviously) ... " [More]
 



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