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Bound
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Gina Gershon and Jennifer Tilly nearly set the screen on fire in this clever, female-powered twist on the standard Mob caper film. Gershon is Corky, an ex-con renovating the apartment next door to where Tilly's Violet lives. Violet is the moll of psychotic gangster Caesar (Joe Pantoliano), who uses the apartment as an occasional location for meetings and beatings, and also uses Violet as an occasional plaything for his Mob cronies. Violet is attracted to the super-sexy Corky, and the two begin an intense affair. Corky hatches a plot to escape with $2 million that Caesar is planning to give to a Mob boss, and the mayhem escalates from there. ~ Don Kaye, All Movie Guide
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theunemployedshortstoptheunemployedshortstop Re:Pick a Pair
by theunemployedshortstop in Movie Games
hasn't rated it.
"Claustrophobia Double Feature!!! Flicks where 70 - 90 % of the action takes place in one location however the movie is NOT based upon a stage play. Shallow Grave & Bound Mix in a bowl of Blue corn chips and a bottle of DARK beer (I'm thinking an Oatmeal Stout) and I'm good to go. Mind games are so much creepier than horror. Plus Tom Jones and Joey Pants!!! Good Times. Or... I could watch my two favorite movies from 2000. Requiem for a Dream & Dancer in the Dark... These movies came out in back to back weeks that year. I was a wreck for the rest of November into December. Then I turned 21! Go me... I'm old. " [More]
perfectpeopleeaterperfectpeopleeater Re:Take the red pill: Recast TH ...
by perfectpeopleeater in Filmgaming
hasn't rated it.
"“The Wachowski Brothers remake their classic The Matrix with an Amazonian theme!” The Wachowskis recently announced a shot for shot remake with one major difference – The Matrix is a masculine computer program and the oppressed humans from the original are all lesbian women! That’s right! It’s Bound meets The Matrix! To get a feel for the new movie, read a sample line from Agent Smith – “You chicks move to an area and you multiply and multiply until every natural man is consumed with sexual desire to the point where they can no longer think straight and the only way you can survive is to spread to another area like a Dungeons and Dragons chat board where the men are in large supply. You trick them into thinking you want their smooth chests, but no. All you desire are countless luscious mountains of breasts. There is another organism on this planet that follows the same pattern. Do you know what it is? A virus. Women are a disease, a cancer ... " [More]
lukasblulukasblu famous stars in the 80's with f ...
by lukasblu in Grew up in the 80's
liked it.
"your favorite stars back then that have a famous brother or sister now or a sibling that was starting out back then;name the stars and their siblings;you can also name some of your fave movies that they have madeexample mat dillion(the outsiders,employee of the month) and kevin dillionriver phoenix(1970-1993)my fave back then (running on empty,little nikita,my own private idaho) and joaquin phoenix (gladiator ,buffalo soldiers)meg tilly(agnes of god) and jennifer tilly(bound)sean penn(fast times at ridgemont high,the falcon and the snowman,racing with the moon,we're no angels,dead man walking,she's so lovely,sweet and lowdown.i am sam,the assasination of richard nixon )and chris penn(1965-2006)(reservoir dogs) " [More]
RockRock Re: Top Five Uses of Rope In Ci ...
by Rock in Top 5
liked it.
"How about Bound . That had some rope usage. I'd agree with Pulp Fiction. " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
A schlocky, B-movie concept given a stylish, undeniably exciting twist, this auspicious first feature from Andy and Larry Wachowski, (whose most notable previous screen credit was scripting the silly Sylvester Stallone-Antonio Banderas thriller Assassins) gives neo-noir a cheeky new life. It has the standard good guys-bad guys storyline, but the freshness of the film lies not in making our protagonists sexy lesbian women (though that creates much interest), but in the fact that the directors allow sufficient character development. The film is sexy without being smutty, visually innovative without being too in-your-face, and acted to perfection by a highly intuitive cast of performers. It received much notice for its admittedly steamy bedroom scenes between the lead females, but equal notice should be given to the taut, fiercely enjoyable storytelling which, despite the lurid subject matter, never feels exploitive or gives the impression of appealing only to the lowest common denominator. Bound's evocative visual style and color schemes would later present themselves in the Wachowski's 1999 mega-hit The Matrix. ~ Jason Clark, All Movie Guide
 



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