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Father of the Bride II
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Directed by Charles Shyer.
Just as the original 1950 version of Father of the Bride spawned a sequel, so did the 1991 remake; like its counterpart four decades earlier, this story concerns a father who learns that his anxieties are just beginning after his daughter takes the big walk down the aisle. George Banks (Steve Martin) has finally adjusted to the marriage of his daughter Annie (Kimberly Williams) when the fates drop a new bombshell on his head: Annie and her husband Bryan (George Newbern) announce that they're going to have a baby. While George's wife Nina (Diane Keaton) is happy enough about the news, George is thrown into an immediate mid-life crisis; while he and Nina were once discussing the possibility of selling the family home and moving to a place on the beach, George impulsively sells their home to Mr. Habib (Eugene Levy), a greedy land speculator. Now, with ten days to move, George gets even more unexpected news: Nina, who had earlier been fretting about the onset of menopause, has just learned that she's pregnant as well. George now has to deal with being a father again as well as becoming a grandparent, while he also figures out how to get the Banks family home back. Martin Short returns as Franck, the oddly accented wedding planner from Father of the Bride, who has moved into a new career organizing baby showers and redecorating homes. ~ Mark Deming, All Movie Guide
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eagle795eagle795 #85
by eagle795 in eagle795 Blog
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"A worthy follow up to the 1991 remake. This one adds the concept of dueling pregnancies, and finds a way not only to bring back Martin Short’s wedding planner character but to somehow give him a larger role. It kinda gets schmaltzy toward the end, but that’s cool. Like the first flick, this is a sweet, easy to watch, guilty pleasure. " [More]
JimBellJimBell Father of the Bride, Part II
by JimBell in JimBell Blog
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"Father of the Bride, Part II (1995). The famous screenwriter and playwright, David Mamet, has a new book out (Bambi vs. Godzilla: On the Nature, Purpose, and Practice of the Movie Business) in which he gives some advice on script writing. The day I picked the book up from the library, I also started and stopped watching Father of the Bride, Part II. Let’s see if Mamet can explain why. Each scene must end with the hero thwarted in his goal and forced to go to the next scene to—hopefully—get what he wants. To write a successful scene, says David Mamet (who has written more than a couple of powerful screen plays), ask and apply the following three ancient questions:1. Who wants what from whom?2. What happens if they don’t get it?3. Why now?Your inclination will be to avoid confronting these questions, saying instead that your scene is interesting, or heartfelt, or funny, or whatever. But when you come late to a watching a movie with a friend, you’ll ask, ... " [More]
 



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