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Something to Talk About
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Directed by Lasse Hallström.
The feminist outrage of Thelma & Louise (1991) screenwriter Callie Khouri blended superbly with director Lasse Hallstrom's predilection for stories about idiosyncratic families in this effective comedy-drama. Julia Roberts stars as Grace King Bichon, a prim small-town wife who is incensed when she learns that her husband Eddie Bichon (Dennis Quaid) is having an affair, and that it's not his first dalliance. Grace embarrasses her husband publicly -- then moves in with her wise-mouthed little sister Emma Rae (the scene-stealing Kyra Sedgwick). Grace becomes even angrier when her mother Georgia (Gena Rowlands) and wealthy father, horse breeder Wyly King (Robert Duvall), side with Eddie in the conflict, fearing the small-town gossip that's sure to swirl around their daughter's marital woes. However, when Georgia finds that Wyly has been a long-term philanderer as well, she kicks him out of his palatial home, embroiling the entire King family in a war between the sexes. Something to Talk About went through several title changes, variously being named "Game of Love" and "Grace Under Pressure" before producers settled on the title of the popular Bonnie Raitt song. ~ Karl Williams, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Writer Callie Khouri's follow-up to the celebrated Thelma and Louise is a well-made exercise in female empowerment that comes to a somewhat unpersuasive conclusion. Grace Bichon's (Julia Roberts) discovery of her husband Eddie's (Dennis Quaid) philandering, an open secret to everyone in her South Carolina town, is the trigger of the story. While she doesn't hesitate to get some well-earned payback, she also engages in marathon venting, releasing years of frustration over the ambitions she had suppressed for her marriage. The script is often funny, à la Thelma and Louise, and Kyra Sedgewick, as Emma Rae Grace's cynical love-singed younger sister has some of the sharpest lines, but much of the more broad and generic humor seems to have cribbed from the Southern-Gothic playbook. The ending is also unsatisfying since it's difficult to believe in the kind of empowerment fantasy Khouri is floating for Grace, who has been shown to be rooted in the horse country she seems to want to escape. The film boasts an exceptional cast, unusual in featuring five strong leads, and in some ways, the chastened Robet Duvall and the explosive Gena Rowlands steal the film. Legendary Bergman cinematographer Sven Nykvist also adds to the quality of this interesting film. ~ Michael Costello, All Movie Guide
 



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