Four Eyed Monsters
Advertisement
Sign in
Username   Password         Forgot password?
Wanna join? Tour Spout | Sign up
The Underneath
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

trailerWatch trailer

Rent it, watch it, find it

Advertisement
A remake of the classic Robert Siodmak film noir Criss Cross, Steven Soderbergh's The Underneath follows much the same plot and narrative arc of the original, but expands the possibilities of its thriller structure to also explore the complexities and insecurities at the heart of modern relationships. Peter Gallagher stars as Michael, a compulsive gambler who returns to his Texas home for the wedding of his mother (Anjanette Comer). In his absence, his ex-wife Rachel (Alison Elliott) has married Tommy (William Fichtner), a ruthless local hood. Michael and Rachel soon resume their relationship, incurring Tommy's wrath. Out of their deceptions grows a plot to heist an armored car, a crime which requires the unwitting aid of Michael's stepfather (Paul Dooley) as well as a banker (Elisabeth Shue) with whom Michael shared a brief fling. ~ Jason Ankeny, All Movie Guide
[More]
Re:Color in film
by in Graphic Desire
"In addition to Traffic, it's interesting to watch Steven Soderbergh cut his teeth on techniques with color on The Underneath. It's not a great movie, but worth watching once if you like noir or you just enjoy Soderbergh or Peter Gallagher. The introduction of color here is particularly blatant. In one scene, we are dollying through a living room, and the camera comes to shoot through a bookcase/fixture that has some colored glass or plastic, so parts of the shot become tinted. Then you really " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
lost interest.
Awash in deceit, obsession, and opaque color schemes, Steven Soderbergh's loose adaptation of the 1948 noir classic Criss Cross ranks as one of the director's most ambitious projects, if not his most successful. Though the performers are stellar all around -- including a misanthropic Peter Gallagher, the always menacing William Fichtner, and a pre-Leaving Las Vegas Elisabeth Shue -- only the luminous newcomer Alison Elliot manages to generate any sort of audience sympathy. As the plot twists pile up, Soderbergh exhibits an impressive control of suspense, pacing, and tension, but the film remains curiously cold and distant. This is bank robbery as an escape from existential malaise; quite a different attitude from Soderbergh's loose, buoyant, and altogether superior take on crime just three years later, 1998's Out of Sight. ~ Michael Hastings, All Movie Guide
 

Community ratings

mavens
Spout mavens
disliked it.
most people
Most people
lost interest.

Other opinions

jamesrocchi
jamesrocchi
liked it.
kaspergutman
kaspergutman
liked it.
minerwerks
minerwerks
is neutral about it.
Puhnner
Puhnner
disliked it.
floatingegg
floatingegg
is not interested.