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Don Juan DeMarco
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Directed by Jeremy Leven.
A psychiatrist treats a most unusual patient, only to find that the doctor is the one who gains the most from their sessions in this philosophical romantic comedy. A young man in a mask and cape (played by Johnny Depp) is standing atop a billboard, threatening to jump. When the potential suicide is finally talked down, he's brought to a psychiatric facility where after one doctor washes his hands of the case, he's placed under the supervision of Dr. Jack Mickler (Marlon Brando), an aging psychiatrist soon to retire. The patient informs Mickler that he is actually the great lover Don Juan, who has seduced over 1,500 women, but has fallen into a deep depression after being unable to win the hand of the woman of his dreams. Mickler has ten days to work with "Don Juan," after which he will either be released on medication or committed to a long-term stay in a mental hospital. As Mickler talks with the young man, who speaks rapturously of the art of love, the doctor finds that his philosophies are helping to kick start his failing relationship with his wife (Faye Dunaway), and he slowly becomes convinced that his patient might really be Don Juan after all. Don Juan DeMarco's theme song, "Have You Ever Really Loved a Woman," became a major hit for singer and songwriter Bryan Adams; after working with Marlon Brando on this film, Johnny Depp cast the legendary actor in a key supporting role in his directorial debut, The Brave. ~ Mark Deming, All Movie Guide
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mythmanmythman Don Juan DeMarco: Spout Watches ...
by mythman in Watch Everything and Still See ONLY What Is Good
hasn't rated it.
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"I'll watch this movie tomorrow morning. But first I wanted to look it up. Naturally, I just typed "Don Juan DeMarco" into to my G-whOO-shall-be-remaininG-name LEss toolbar. While it was searching, I remembered 'Hey! I'm a member of Spout! Why don't I just ... oh, I'll just click the link to Spout that comes up.'Well, do you think Spout was on the first page? It wasn't! And--since I'm one to hold to the 'old adage' that pages not within the first ten listings "aren't trying hard enough"--I just thought 'Aww, screw it,' and went to the Spout page I have bookmarked.Still, you would think the webmaster here would have already worked out some automatic optimization routine ... oh well. " [More]
rawkstarenatorrawkstarenator Sexy...well, duh!
by rawkstarenator in rawkstarenator Blog
liked it.
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"NOT FOR THE FAINT OF HEART SEX~WISE! When I saw this movie with my mom, it was a little akward. The movie was very thoughtful though. Some trademark Jhonny Depp humor was found in the scene where Don Juan wonders how he could ever love another woman...So ironic. It was somewhat dis-orienting in terms of who Don Juan really was, but that was the whole point of the movie, and thus it had a good run. " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
When dealing with psychological disorders in film, it's a fine line indeed between whimsical and preposterous. Think how absurd a film like Rain Man (1988) could have been in less capable hands (think too hard on it and you'll probably end up with something that looks a whole lot like 1999's double-serving of cinematic cheese, Molly and The Other Sister). Screenwriter and sometime-director Jeremy Leven has a particular problem with recognizing the border between the engagingly offbeat and the fatuous, as his scripts for Creator (1985) and The Legend of Bagger Vance (2000) clearly demonstrate, seesawing wildly as they do from one tone to another, frustrating in their sheer first-draftness. Leven's directorial debut Don Juan DeMarco (1995) is not enough of an exception, but the comedy-drama admirably generates enough charm to make a convincing argument that the writer/director should get behind the camera for more of his own scripts. Many of the film's plot developments are as patently balmy as its central character, but leads Johnny Depp and Marlon Brando seem to be having such a good time that one would have to be a major sourpuss to care. Pacing, music, Depp's vanity, the oddball flirtations between Brando and Faye Dunaway (as his perplexed but delighted wife), and especially the writer/director's central assertion that nothing is more flat-out nuts than love, all combine to make an entertaining diversion aimed squarely at the non-cynic. Leven's film is told with such peppery gusto that it ends up being the artistic equivalent of the family black sheep: a bit of a pill, a tax upon one's intellectual patience at times, but ultimately too truthful and too much jovial fun to dislike. ~ Karl Williams, All Movie Guide
 



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