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La haine
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Directed by Mathieu Kassovitz.
While to most outsiders Paris seems the very picture of beauty and civility, France has had a long and unfortunate history of intolerance toward outsiders, and this powerful drama from filmmaker Mathieu Kassovitz takes an unblinking look at a racially diverse group of young people trapped in the Parisian economic and social underclass. Vinz (Vincent Cassel), who is Jewish, Hubert (Hubert Kounde), who is Black, and Said (Said Taghmaoui), who is Arabic, are young men from the lower rungs of the French economic ladder; they have no jobs, few prospects, and no productive way to spend their time. They hang out and wander the streets as a way of filling their days and are sometimes caught up in frequent skirmishes between the police and other disaffected youth. One day, a street riot breaks out after police seriously injure an Arab student; the three friends are arrested and questioned, and it is learned that a policeman lost a gun in the chaos. However, what they don't know is that Vinz picked it up and has it in his possession, and when Vinz, Hubert, and Said get into a scuffle with a group of racist skinheads, the circumstances seem poised for tragedy. Actress Jodie Foster was so impressed with La Haine when she saw it at the 1995 Cannes Film Festival that she helped to arrange American distribution for the film through her production company, Egg Pictures. ~ Mark Deming, All Movie Guide
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kungfu-koalakungfu-koala Perpetuating Hate
by kungfu-koala in kungfu-koala Blog
liked it.
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"A movie that appears to be very harsh and crude at first as it dives into the lives of three young men trying to survive in the French projects. However, through time we begin to fully understand the hate that eventually feeds on less fortunate individuals when authority figures abuse the power they have been entrusted with. Maybe... something must first be questioned at the top before blaming those on the bottom. The movie is also beautifully shot in black and white which delivers a more deep relationship with the characters in general. " [More]
matt_odmatt_od Well rounded story
by matt_od in matt_od Blog
loved it.
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"You'll find yourself laughing out loud and cringing in disgust/discomfort during this movie. The cinematography is very well done in this film. The almost constantly moving camera work bring you right into the story. You feel as if you are walking around the slums and surrounding areas of Paris right along wtih Vinz, Said, and Hub.Excellent performances all around. And it is such a shock that this hard hitting film is directed by the quiet and shy love interest in Amelie. " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Appropriately filmed in stark black-and-white, La haine takes us to a Paris that cannot be found on a postcard or in a glossy travel brochure. The Eiffel Tower makes only one appearance, as a distant reminder of a society that has no place for the film's alienated protagonists. When it premiered in 1995 at the Cannes Film Festival, this work of 28-year-old Mathieu Kassovitz, who had previously directed Cafe au lait, arrived with the subtlety and impact of a kick to the head. Inspired by such American urban classics as Mean Streets, Taxi Driver, and Do the Right Thing, La haine nevertheless emerged as a work of distinct originality, appropriating its influences to tell a story at once specific and universal. The story's racial and socio-economic tensions are exposed with an unapologetic, in-your-face brutality devoid of the romanticism that often plagues films about life in the "hood;" Kassovitz is more interested in uncovering his protagonists' frailties than idealizing them. Their anger is justified and treated with sympathy, but they are held responsible for their reactions to it. The tragedy that concludes the film does not allow anyone to escape unscathed, a jarring reminder that, as long as racism and other forms of social repression are permitted to exist, we are all both its perpetrators and its ultimate victims. ~ Rebecca Flint Marx, All Movie Guide
 



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