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Desperado
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Directed by Robert Rodriguez.
Director Robert Rodriguez picks up where his successful independent debut El Mariachi left off with this slam-bang South of the Border action saga. Bucho (Joaquim DeAlmeida) is a wealthy but casually bloodthirsty drug kingpin who rules a seedy Mexican border town. Bucho and his men make the mistake of angering El Mariachi (Antonio Banderas), a former musician who now carries an arsenal in his guitar case. Bucho was responsible for the death of El Mariachi's girlfriend and put a bullet through his fretting hand, making him unable to play the guitar. Bent on revenge, the musician-turned-killing machine arrives in town to put Bucho out of business, though he finds few allies except for Carolina (Salma Hayek), who runs a bookstore that doesn't seem to attract many readers. Desperado features supporting performances from Cheech Marin as a cynical bartender, Steve Buscemi as the cantina patron who sets up the story, and Quentin Tarantino as a man with a really terrible joke to tell. ~ Mark Deming, All Movie Guide
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tallquasimodotallquasimodo Tokyo Drifter
by tallquasimodo in tallquasimodo Blog
loved it.
1 out of 1 people found this review helpful. [What do you think?]
"I really wanted to be impressed by this movie, and I was, in a sense. The color is fantastic, and the cinematography is nothing to sneeze at either. It even had what must have been some very cool gunfights for its time. Unfortunately the narrative itself was too hard to follow. Call me racist, but I had trouble differentiating the various bosses from each other due to the similarity of their names to my western ear. This left the majority of dialogue fairly difficult to comprehend. I wish I had seen this movie before being exposed to some of the better handgun-based action movies made since, such as A Better Tomorrow, A Better Tomorrow II, The Killer, Hard Boiled, Desperado, etc. Even The Wild Bunch could be included in that category. " [More]
ZularianZularian Non-review review #3
by Zularian in Zularian Blog
liked it.
Was this review helpful? [Be the first to tell us!]
"I am feeling a bit grumpy at the moment so I am going to revisit the subject of my first post -- that of a director pilfering through their own material. There are a number of excellent examples of this but I am going to limit myself to two directors. The reason for this is that both of these men, Robert Rodriguez and Kevin Smith have had a very large impact on me. My current career path has been shaped largely by these directors which is why their transgressions pain me so. First, Mr. Smith. Once upon a time there was a directory who made a crappy (production-wise) little movie called Clerks. It is not a pretty movie nor is it an interesting-looking film. Clerks has very few merits except the fact that it is quite funny and original and it somehow manages to convey the joy and exuberence of it's creator. There is a quality to Clerks, a "I just wanted to make a movie" attitude that is infectious. This film feels to me to emboy the very spirit of Charles Foster Kane in Citizen Kane ... " [More]
leeroy711leeroy711 Re:More than one trilogy
by leeroy711 in Movie Games
is neutral about it.
"Antonio Banderas in El Miriachi trilogy and Spy Kids trilogy. (Both Rob Rodriguez) El Mariachi (1992) Desperado (1995) Once Upon a Time in Mexico (2003) Spy Kids (2001) Spy Kids 2: The Island of Lost Dreams (2002) Spy Kids 3-D: Game Over (2003) " [More]
lopezdashlopezdash SXSW panel: Latino cinema knows ...
by lopezdash in The Movie Blog
hasn't rated it.
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"March 10, 2008By Laura Tillman Along with films and music, Austin's annual South by Southwest festival offers pass-holders the chance to attend intimate panel discussions with experts and some of their favorite artists. Monday, three of the festival's Latin American born filmmakers joined moderator Charles Ramirez Berg, a professor at the University of Texas at Austin, to discuss "New Trends in Latino Cinema." About 30 seconds into the talk, however, they realized they might not have much to say on the given subject."I think there is a change in that Latino filmmakers are getting away from being so easily identified or grouped together and I think that's good," said Berg, who initially organized the event as a conversation between himself and producer Elizabeth Avellan. Avellan, who worked with her husband Robert Rodriguez on films like "El Mariachi," "Desperado," and "Sin City," recommended that Peruvian director Ric ... " [More]
RisseladaRisselada Re: What If Hitchcock Could Use ...
by Risselada in PulpFiction1975
hasn't rated it.
"There actually have been a huge number of instances of directors remaking their own work.Yasujiro Ozu essentially remade most of his movies over and over from what I hear, some officially like A Story of Floating Weeds (1934) and Floating Weeds (1959)Quite recently it seems as though directors of foreign movies that are successful, often remake their films in English with American stars. Here's a few examples.Robert RodriguezEl Mariachi (1992)Desperado (1995)George SluizerThe Vanishing (1988)The Vanishing (1993)Takashi ShimizuJu-On: The Grudge (2003)The Grudge (2004)Michael HanekeFunny Games (1997)Funny Games (2008)Hideo NakataRingu 2 (1999)The Ring Two (2005)Consider the fact that Evil Dead 2 is essentially a remake of The Evil Dead. I hear that is because Raimi wanted to use footage from The Evil Dead in the beginning of Army of Darkness but he lost the rights. So he decided to just remake the whole movie first. I'm not sure if this is actually true.A lot of filmmaker ... " [More]
pippin06pippin06 Revisiting "Desperado"
by pippin06 in Reel Thoughts
is neutral about it.
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"I rented this movie on my first trip to the video store in over a year (hey, I can borrow so much, I haven't needed to go). I decided to watch this movie again when I made up my mind that I wanted to see its sequel, Once Upon a Time in Mexico, which I will blog about next. I had seen this movie once, a long time ago in college, and remembered very little of it except for a lot of acrobatic gunfire from dreamy Antonio. It didn't leave much of an impression on me then, so I don't know what possessed me to pick up this series again. Well, actually I do. Given my latest new and improved interest in Johnny Depp, I have been watching or rewatching many of his movies. The sequel intrigued me, and I felt I couldn't watch that without watching this one again, to refresh my memory. Turns out, it didn't really matter. The two movies are not very connected. And my second viewing of Desperado didn't leave me feeling any more impressed than I was the first time. Antonio plays a gun-toti ... " [More]
RockRock Re: Top 5 Guilty Pleasure films
by Rock in Top 5
liked it.
"Basic Instinct and Basic Instinct II - Sharon Stone Desperado - OMG - ANY Salma Hayek film Breakfast Club - Started watching it in 8th grade. I'm 34 now. I still quote it. Nothing but Trouble Uncle Buck - Okay. Any John Candy Film. He was an awesome person and comedian. " [More]
RisseladaRisselada Re: Classics thrown into the pr ...
by Risselada in PulpFiction1975
hasn't rated it.
"A remake of a remake? Go figure. But what would be more interesting, Will Smith as The-Man-With-No-Name or Yojimbo. Will Smith and the latter both seem more excitable. Now I wouldn't call Charlie and the Chocolate Factory a remake of Willy Wonka and the Chocolate Factory as you seem to be implying. If the the "Charlie" movie had been obviously derived from screenplay of the "Willy" movie, I may agree with you. But they both seem to be totally separate adaptations from the original novel. However, I'm not saying that just because it isn't technically a remake means that they should have filmed another movie based on a book that already had such a memorable film already made of it. Mary Poppins was also originally a book too. Or maybe a series of them. Whatever that means. Although Psycho was also originally a book, from what I hear the newer version was obviously a remake of the original screenplay. I also hear one of the most strictly shot for shot remakes as well. Planet ... " [More]
pippin06pippin06 Re: Guess The Movie Quote
by pippin06 in Best movie quotes
is neutral about it.
"I guess Once Upon a Time in Mexico or Desperado ....that's a big couple of guesses though. Mostly because I remember El Mariachi. " [More]
spoutgirlspoutgirl Re: Top five favorite Soundtracks
by spoutgirl in Best Movie Soundtracks
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"I have to admit I love the soundtrack to Desperado When I clean the house I listen to it. Not sure what it is about the music, but it really puts me into a fantastic mood. The other sound track the I absolutly love is "The Talented Mr.Ripley" I am kind of a jazz nut sometimes. :) " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
It was inevitable, but still lamentable, that Robert Rodriguez would gussy up his production values when given more than 7,000 dollars to rework his famously austere El Mariachi, which delivered ten times the unique punch as most actioners with a thousand times the budget. But with colleague and guest star Quentin Tarantino no doubt whispering in his ear, Desperado takes on a much more cartoonish tone than it needs to, cheapening his vision for the sake of a few gaudy gestures toward violent chic. Alternately considered a sequel and a remake, Desperado tries to be just as loud as El Mariachi was subtle, with bar patrons blasted across the room by shotguns and guitar cases that double as missile launchers. Of course, the cast has been upgraded as well, with Antonio Banderas in the lead and Salma Hayek giving her breakthrough performance as his love interest. Still, Rodriguez hasn't entirely forgotten his roots, giving Carlos Gallardo, the original mariachi, a small role as the smooth-as-silk hit man who totes said missile launcher. Because it's a showcase for stylish gunplay and crisp editing, Desperado has a loyal legion of fans apparently willing to overlook its shortcomings. For all the critical grousing about Rodriguez selling out, it is an exciting movie on the most basic level. It just could have been so much less. The collaboration with Tarantino would continue in 1996's From Dusk Till Dawn, in which Rodriguez would either prove that the visual bombast was his idea, or Tarantino would get him into it even deeper, depending on your slant on the subject. ~ Derek Armstrong, All Movie Guide
 



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