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The Dirty Dozen
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Directed by Robert Aldrich.
Director Robert Aldrich took what he considered a hopelessly old-fashioned script by Lukas Heller and Nunnally Johnson and fashioned The Dirty Dozen into one of MGM's biggest moneymakers of the 1960s--and the sixth highest-grossing film in the studio's history. Lee Marvin plays Major Reisman, assigned to coordinate a suicide mission on a French chateau held by top Nazi officers. Since no "normal" GI can be expected to volunteer for this mission, Reisman is compelled to draw his personnel from a group of military prisoners serving life sentences. This "dirty dozen" includes a sex pervert (Telly Savalas), a psycho (John Cassavetes), a retarded killer (Donald Sutherland), and the equally malevolent Charles Bronson, Trini Lopez, Jim Brown, and Clint Walker. On the dim promise of receiving pardons if they survive, the criminals undergo a brutal training program, then are marched behind enemy lines dressed as Nazi soldiers, the better to overtake the chateau and kill everyone in it--including the innocent wives and mistresses of the German officers. ~ Hal Erickson, All Movie Guide
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SpoutBlogSpoutBlog 5 Female Genres Equivalent to M ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
1 out of 1 people found this review helpful. [What do you think?]
"Even before Annaliese Griffin at the Vulture blog detailed why Sex and the City is the female equivalent of superhero movies, a genre mostly appealing to men, a female friend of mine noted the same. It’s apparently an obvious parallel, despite the fact that earlier this summer the supposed gender battle between Iron Man and Made of Honor resulted in the awareness that many women are in fact fond of some superheroes. Nevertheless, Griffin’s post made me think of the conversation in Sleepless in Seattle in which real-wife married couple Tom Hanks and Rita Wilson discover the connection between An Affair to Remember and The Dirty Dozen. Of course, Hanks’ character was probably joking about crying at the end of the latter film, but he still had a point. There are certain equivalents between specifically female film genres and specifically male film genres, as you can see from the following list: Melodrama (female) = War Film (male) - Already touched on with the aforementioned Sleeples ... " [More]
Review by All Movie Guide
All Movie Guide
loved it.
Robert Aldrich's The Dirty Dozen is remembered today as a fine action-adventure film, along the lines and proportions of The Great Escape and Kelly's Heroes. In its time, it was also a groundbreaking piece of popular cinema. Until its release, Hollywood had struggled with how to portray men in war, especially World War II. Movies such as The Naked and the Dead, Attack, and Between Heaven and Hell had tried to present the reality that not every American soldier, or even most, were bright-eyed, bushy-tailed, flag-waving patriots; but those movies never caught on with the public, and one extreme example, Carl Foreman's The Victors, was a box-office disaster. The Dirty Dozen succeeded at presenting the darker sides of humanity, employed in the service of good. It broke lots of lingering screen taboos, showing its heroes cavorting with prostitutes and killing with very little discrimination, and it generally held all authority in contempt -- pretty strong stuff for a mainstream movie coming out in the midst of the Vietnam War. It did for the war movie what Sam Peckinpah's The Wild Bunch and Sergio Leone's Man-With-No-Name trilogy did for the Western, while retaining just enough roughhousing fun to hang on to more traditional audiences, thus yielding a box-office bonanza for its producers and opening more conservative audience members to further films in this vein. ~ Bruce Eder, All Movie Guide
 



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