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Muriel's Wedding
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Directed by P.J. Hogan.
A socially inept young woman slowly learns to overcome her insecurities in this sleeper hit from Australia. The unconventional Muriel (Toni Collette) is deeply unsatisfied with her life, stuck in the nowhere town of Porpoise Spit and feeling rejected by her friends and family. Believing herself unattractive and worthless, she seeks meager solace in ABBA songs and fantasies of gorgeous weddings, with herself as the bride. Muriel's life takes a turn for the better, however, when she befriends the carefree Rhonda (Rachel Griffiths), who encourages her to take control of her life. Together, the two women travel to Sydney, where a series of liberating experiences help Muriel develop self-esteem and take the first steps towards maturity. ~ Judd Blaise, All Movie Guide
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gotheregothere Warm and appealing
by gothere in You should go there
liked it.
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"I thought it was a nice little picture. Self contained, self controlled, paced, scripted. Almost like a play.Okay, it has that campy, familiar indie feel that can a be a turnoff for some and feel like cliché to others. But for me, who's tired of various Hollywood meathook chichés, I enjoyed not having to work too hard to be entertained without bullets whizzing past my ears in DD Dolby Digital THX batta batta bing bang. The ending reminded me of The Full Monty and Muriel's Wedding, a song and a dance solves everything. That's okay, I liked those films, too. You should watch this film, you'll be glad you did. It doesn't feel self-important. Oscar worthy? Frankly I don't care. I do think the director cares for these characters and wants the audience to. I did. " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
With all that ABBA music swirling through the soundtrack, it's surprising to realize that Muriel's Wedding is a film brimming with pain. Much like Minnie Driver would do in her own breakthrough role in Circle of Friends, versatile actress Toni Collette gained 40 pounds to embody the character who would win her an Australian Academy Award, risking typecasting as "the fat girl" in her first major role. This bold, vanity-eschewing turn delivers visceral heartache; never does one question that this sweet but unfortunate girl would lie and steal to make her life a smidgen more palatable. Even sadder is the fact that Muriel's the only one doing something about her life, however self-deceptive, while her siblings and long-suffering mum have resigned themselves to the depressing inertia that grows from aimless yearning -- a condition complicated by the betrayals of her father, a failed politico. In this tragicomic world, a sham life is better than none at all. Rachel Griffiths is equally effective as Muriel's one true friend, and the fact that Muriel does not always treat her as such lends greater complexity to these characters. In a memorable debut, P.J. Hogan directs his own layered script with a sensitive hand, perfectly blending the comedy and tragedy that vie for control of any person's life. He would continue his exploration of misguided marital exploits with My Best Friend's Wedding, the Hollywood hit that revived the career of the considerably less pitiable Julia Roberts. ~ Derek Armstrong, All Movie Guide
 



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