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To Live
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Directed by Zhang Yimou.
Zhang Yimou, often regarded as China's leading contemporary filmmaker, directed this drama chronicling the ebb and flow of one family's fortunes, set against the backdrop of China's tumultuous history between the 1940s and the 1970s. Fugui (Ge You) is the father of a once-wealthy family whose addiction to gambling and chronic bad luck causes him to lose his home in a game of dice with Long'er (Ni Dabong). Fugui's wife Jiazhen (Gong Li) abandons him, and he finds himself working as a peddler, until the man who now owns his home gives him a pair of shadow puppets. Fugui learns the art of puppetry and travels as a performer; while on the road, he is arrested by Nationalist forces, until he is liberated by advancing Red Army factions, and he comes him home to his wife and children as they adapt to the nation's new leadership. While once a lazy spendthrift, Fugui vows to change his ways, and he struggles to become a better worker and citizen. But Fugui and his family soon realize that there is adversity waiting for them around every corner, and the onset of the Cultural Revolution makes it clear that China's new regime can be as corrupt and callous as the old order. While a Grand Prize winner at the 1994 Cannes Film Festival and recipient of the Best Foreign Language Film award at the 1995 BAFTA Awards, Huozhe did not fare well in its homeland. Chinese censors objected to the film's commentary about political abuses in China's past, as well as Zhang Yimou's attempts to present the film at several international festivals. As punishment, he was forced to write a formal apology and was not allowed to make another film for two years. ~ Mark Deming, All Movie Guide
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indieabby88indieabby88 Re:Why I got into foreign films
by indieabby88 in Friends of Foreign Flicks
hasn't rated it.
"I totally agree! One of the biggest perks of foreign films for me is when I'm learning about a different culture while simultaneously being entertained. I always cite "To Live" and "Raise the Red Lantern," two movies I saw in my History of East Asia class, as prime examples. I wouldn't say that's specifically why I got into watching foreign movies, but it's one reason why I enjoy them. I watch foreign films for the same reason I watch any other movie: simply because it looks interesting. For me, a movie is a movie, no matter where it comes from, and I feel like what makes a movie appealing should go beyond whether or not you have to read subtitles. I can't stand it when someone refuses to watch a foreign film because they "don't like reading." For a while in high school and my first year in college, I got really into Spanish, Mexican and South American films. We watched a lot of spanish-language movies in my high school spanish class, like "The Sea Inside," "El Norte" and "The Offi ... " [More]
indieabby88indieabby88 Depression=Sex (apparently)
by indieabby88 in Bloggish review blog
hasn't rated it.
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"The message of Lou Ye's film "Summer Palace" seems to be this: depressed people have sex. A lot. There are three major characters in Ye's film that have some obvious issues, and all of them waste no time hopping into bed with each other in an attempt to escape their apparent (and unexplained) pain. The director manages to make this situation somewhat interesting during the first half of the movie, but the last half drags miserably to a conclusion that doesn't seem like a neat wrap-up of the events we've witnessed, but a confession that Ye is just as bored with the movie as the audience is, and he wanted it to be over as much as I did. It's pretty seldom that I come across a film that has me counting down the minutes until the end, but "Summer Palace" managed to do just that. The story starts with Yu Hong, a girl from a small town in China who gets accepted to Beijing University just before the Tiananmen Square massacre. She makes friends with ... " [More]
 



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