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Bandit Queen
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Directed by Shekhar Kapur.
Bandit Queen, based on the true story of legendary female warrior Phoolan Devi, is a confrontational epic that paints a far different picture of India from other arthouse productions. Devi (Seema Biswas) is married at age 11, abandoned by her husband when she resists his advances, and turned into a social outcast who, at one point, is gang-raped by the upper-caste men of one village. She later gets her revenge by organizing a massacre that leaves 20 villagers dead. Devi ultimately leads a band of latter-day Robin Hoods on bold raids against landowners in Central India during the late '70s and early '80s, often taking their spoils and redistributing them to poor tenant farmers. By the time she is arrested in 1983, Devi has become a folk hero, especially to the women who live in rural India's brutally patriarchal society. A full-fledged commercial production, handsomely produced and directed by talented Indian filmmaker Shekhar Kapur (who emerged from the country's vaunted "Bollywood" system), Bandit Queen painfully exposes a controversial aspect of Indian culture, while providing a triumphant portrait of female empowerment. ~ Don Kaye, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Bandit Queen is a member in good standing of that film genre which reports on true-life crime by social outcasts, with Bonnie and Clyde the most familiar example. Warren Beatty's film was about crooks who took on the mantle of social avengers during a tumultuous period of American history. Bandit Queen works on two levels, as a feminist revenge melodrama and as an exploration of a stratified social-class system in a country that bills itself as the world's most populous democracy. Phoolan Devi was driven by more personal motives than Clyde Barrow and Bonnie Parker; her dignity was dealt irreparable harm by a system indifferent to the basic rights of women, especially those of a lower caste. Director Shekhar Kapur doesn't gloss over the violations that fed Devi's rage, nor does he back off from depicting the horror she inflicted on her victims. It's a jagged, fiercely felt film that sometimes depends too heavily on its imagery to tell a story that, for Western viewers, may require more context. ~ Tom Wiener, All Movie Guide
 



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