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Wild Reeds
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Directed by André Téchiné.
This is a nostalgic French coming-of-age drama from director Andre Techine set in a Provence deeply divided over the war for independence being waged against French colonialism in Algeria. In 1962, Francois (Gael Morel) and Maite (Elodie Bouchez) are best friends and students at a boarding school in southwestern France, where Maite's mother Madame Alvarez (Michele Moretti) is an instructor. Francois is realizing he's gay because of his attraction to his working class roommate Serge (Stephane Rideau). Although Serge seduces Francois one night, he is not gay and is actually attracted to Maite. So is Henri (Frederic Gorny), a radically-politicized Algerian-born Frenchman who supports France in the war, an unpopular position, particularly with Madame Alvarez, a communist. The classroom sparring between Henri and Alvarez galvanizes the school, but then word comes that Serge's older brother has been killed in the war. Madame Alvarez, who loved him but refused to help him desert the military, becomes so unhinged that she must be sent away for treatment. Wild Reeds (1994) won four Cesars (France's equivalent of the Oscar), including the award for that year's Best Picture, beating such other notable films as Red (1994) and Queen Margot (1994). ~ Karl Williams, All Movie Guide
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Review by All Movie Guide
All Movie Guide
liked it.
A deeply thoughtful, heartfelt drama, Les roseaux sauvages demonstrates how to make a coming-of-age film. In many American movies, coming of age is achieved through external activities, like taking a road trip or getting deflowered by a next-door neighbor; here, French teens attain maturity through an internal, cerebral evolution, revolving around one's identity and place in society. The film is set during the Algerian War, when France was questioning its own national identity and place in the world, and its strength lies in director André Téchiné's intelligent treatment of his young subjects: their dilemmas ring with unforced authenticity and resist the clichés that usually accompany accounts of adolescent turmoil. In one of the film's most memorable and unsettling scenes, François, coming to terms with his homosexuality, stares at his reflection in the mirror, repeating "I'm a faggot, I'm a faggot, I'm a faggot." The viewer is left to wonder if he is internalizing the label society has given him, trying to claim it for himself, or simply struggling to accept himself for who he is. Téchiné doesn't try to force an explanation, a tactic that is more refreshing than frustrating. French critics evidently agreed: Les Roseaux Sauvages won four Césars in 1994, including Best Director, Best Film, and Most Promising Young Actress for Élodie Bouchez as the idealistic, conflicted Maïté. ~ Rebecca Flint Marx, All Movie Guide
 

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