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The Kingdom
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Originally created for Danish television, Morten Arnfred and Lars von Trier's supernatural thriller The Kingdom chronicles the bizarre occurrences at the title hospital, the largest and most respected hospital in the country. While the series deals with such real-life complications as murder investigations and malpractice suits, a more villainous force may be unleashing itself upon the hospital staff. After a patient (Kirsten Rolffes) sees the ghost of a young girl, many of the staff members find themselves involved in frightening and bizarre situations like an ambulance that appears every evening but then instantly vanishes. Eventually, a female doctor (Birgitte Raaberg) becomes pregnant, but the accelerated development of her fetus could be a sign that the evil forces have found a way to enter more permanently into the world. This film consists of the first four episodes, or the entire first season, of the television series. ~ Perry Seibert, All Movie Guide
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TheWorkingDeadTheWorkingDead Re:Top 5 weirdest movies
by TheWorkingDead in Top 5
loved it.
"Gozu/Izo: I know, I'm cheating by putting two films on here in one spot, but I can't decide which is weirder, and they're both by Takashi Miike. So if you're #5 spot can contain a whole list of movies, than I can include one tie. Gozu is a weird road trip as a yakuza tries to find and dispose of the body of his mentor in the weirdest small town this side of Twin Peaks. A man who collects the skins of dead Yakuza members for their tattoos, a woman who runs an inn and sells her breast milk to the town, and a giant minotaur demon are only three of the increasingly strange people he runs into. Izo is the tale of one man's rampage as he kills his way towards heaven, moving through time and space with every camera angle. There is not one 5 minute stretch of the film that takes place in one time period, and often past and future exist in the same setting. And, I have to be uncool and admit, I don't understand a lick of it. Inland Empire You had this as an honorary mention, and I'm putting ... " [More]
TheWorkingDeadTheWorkingDead Re: Favorite Foreign Scary Movie
by TheWorkingDead in HORROR MOVIES 101
loved it.
"Oldboy was not bad. Not bad at all. If you can stand a lot of violence, and a general tone of nastiness and some fairly disgusting goings on(including the scene where he eats a live octopus in a single take), than it's actually very good. I've seen only 2 films in this Vengeance Trilogy(they aren't sequels, they just all deal with revenge), this and Sympathy for Lady Vengeance. I enjoyed Lady Vengeance a lot more than Oldboy. Still, recommended, and it's nastiness is much deeper and more meaningful than current torture porn flicks. You should check out Audition, which takes awhile to get going, but is totally worth it. I screamed aloud like a little girl at one point in this movie, and I'm not ashamed to admit it. Just don't watch the trailer, it gives too much away. Pulse, and Cure(both by Kyoshi Kurosawa) are really damn good, but very vague. Still, he grasps the melancholy aspect of ghosts and horror better than any other director I've seen. Of cours ... " [More]
vitalybvitalyb As funny as a comedy gets and a ...
by vitalyb in vitalyb Blog
loved it.
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"I never gave a score of 10 to a movie before. However, Riget (or "The kingdom" as I saw it) is the most amazing piece of art I saw.The camera work is the most amazing I ever saw. You get into the right mood just by seeing the first pictures.The characters are real, unique and detailed.The comedy moments are funny and the horror is creepy, couldn't expect more from the movie. Holywood with its budget should learn a few things. " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Often summed up as a fusion of ER, Twin Peaks, and The Hospital (1971), Lars von Trier's The Kingdom (1994) is as engrossing as its antecedents and an inspired horror-comic satire of medical hubris. Shot on location in a Copenhagen hospital called the Kingdom, von Trier's ghost story takes its time setting up the central ensemble of doctors, nurses, medical students, orderlies, and patients, rendering the later events and discoveries all the more chilling and darkly humorous. With the sepia-toned color evoking decay from the ominous prologue onward, The Kingdom reaches a sublime horror climax sure to delight Udo Kier fans (not to mention David Cronenberg), leaving open copious questions for Riget II. Moving away from Zentropa's (1992) polished avant-gardism toward Breaking the Waves' (1996) roughness, The Kingdom's shaky hand-held 16 mm camerawork and jump cuts create a skittish intimacy; the mobile long takes and eerie aerial shots suggest the presence of unseen, supernatural observers to the hospital's follies -- except in the scenes featuring the wise, clairvoyant dishwashers. A hit on Danish TV, The Kingdom's theatrical release in the U.S. solidified von Trier's reputation as a prodigiously talented provocateur. ~ Lucia Bozzola, All Movie Guide
 



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