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The Professional
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Directed by Luc Besson.
As visually stylish as it is graphically violent, this thriller directed by Luc Besson concerns Mathilda (Natalie Portman), a 12-year-old girl living in New York City who has been exposed to the sordid side of life from an early age: her family lives in a slum and her abusive father works for drug dealers, cutting and storing dope. Mathilda doesn't much care for her parents, but she has a close bond with her four-year-old brother. One day, she returns from running an errand to discover that most of her family, including her brother, have been killed in a raid by corrupt DEA agents, led by the psychotic Stansfield (Gary Oldman). Mathilda takes refuge in the apartment of her secretive neighbor, Leon (Jean Reno), who takes her in with a certain reluctance. She discovers that Leon is a professional assassin, working for Tony (Danny Aiello), a mob kingpin based in Little Italy. Wanting to avenge the death of her brother, Mathilda makes a deal with Leon to become his protégée in exchange for work as a domestic servant, hoping to learn the hitman's trade and take out the men who took her brother's life. However, an affection develops between Leon and Mathilda that changes his outlook on his life and career. Besson's first American film boasted a strong performance from Jean Reno, a striking debut by Natalie Portman, and a love-it-or-hate-it, over-the-top turn by Gary Oldman. Léon was originally released in the U.S. in 1994 as The Professional, with 26 minutes cut in response to audience preview tests. Those 26 minutes were restored in the director's preferred cut, released in 1996 in France as Léon: Version Intégrale and in the U.S. on DVD as Léon: The Professional in 2000. ~ Mark Deming, All Movie Guide
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SpoutBlogSpoutBlog 10 Movies, 10 Years: NYC in the ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Jonathan Levine’s crowd-pleasing (in terms of audience awards at festivals, not in terms of uplifting Hollywood endings) film The Wackness opens in limited release tomorrow. In case you haven’t noticed from the ads and the soundtrack, it takes place in the New York City of 1994, a special time for the place because Rudy Giuliani had just become mayor and was beginning to clean up the city, Goldie Wilson-stylee (OK, not really Goldie Wilson-stylee, but who doesn’t love a good BTTF reference?). NYC in the ’90s was quite special for me. It’s when I moved here. And moved here a second time (I’ve since moved here a third time), and watching The Wackness made me nostalgic for the decade. It also made me think of some of the other films from or set in that period, a number of which kind of define my experience with the city. 1990: Quick Change - It’s a bit ironic that this comedy, which features Bill Murray putting down the city non-stop, is the movie that really represents NYC on film ... " [More]
AlienLazerAlienLazer Loved it !
by AlienLazer in AlienLazer Blog
loved it.
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"I watched this movie when I was 13 and I loved it. Sadly, I haven't seen this movie since then, but it keeps popping up in my mind here and there. You have no idea how long it took me to find out the title of this movie, and I've been looking for it in stores to buy every since. Yeah, that's not working out too well, so I guess I'll have to get it online. :( " [More]
TonesterTonester What's The French For Action Mo ...
by Tonester in Tonester Blog
hasn't rated it.
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"Probably Leon - as this film is far better titled just about everywhere outside the States.Although it's a favourite of mine, it's always hard to watch Leon without feeling a little sad. Not at the film itself, which although touching has never raised a tear, but at the sorry state of Luc Bessons career following this.But we are not here to talk about Joan of Arc, we're here to talk about a man with a plant for a friend who just happens to be a hitman. Can you imagine pitching that to a Hollywood exec?But Besson and his team carry it off, with style and panache. The New York the film portrays is bathed in golden light, contrasting with the dark underbelly of Oldman's corrupt cop. A cartoon of a villain, he somehow gets away with it, his standout "dance of death" a balletic tour-de-force.Reno is fantastic - especially in his moments of stillness - and Portman too impresses considering her age and lack of acting experience. This is a dark role indeed for a d ... " [More]
josephkuzmajosephkuzma Re: Introduce Yourself
by josephkuzma in Introduce Yourself
loved it.
"I'm Joe and my terribly original handle on Spout is josephkuzma. Took me hours to decide on that one. Truthfully my first choice was swordfishtrombones but I think it was too long or something. If you get that reference, you're my new friend.I learned about Spout in Paste Magazine (best magazine... ever).I'm a sleep technician by trade so you'll notice all my postings are nocturnal and I'm a new father so they'll also be sporadic at best.As far as movies go my favorite of all time would be Dr. Strangelove (thus the avatar). Following that (in absolutely no particular order) are Brazil, Seven Samurai, Leon: The Professional, King of New York, Donnie Darko, 2001: A Space Odyssey, Star Wars (and, of course, Empire & Jedi). Least favorite movie: The Dreamers - I liked The Last Emperor but this makes me want to beat Bertolucci with a sock full of Sacagawea dollars.Greatest television show of all time? Family Guy.I am a hardened atheist, an ardent Democrat and ... " [More]
RisseladaRisselada Top 5 movies where the title is ...
by Risselada in Top 5
loved it.
"Name your top 5 movies where the title of the movie is the name of the main character in the movie. I'm going to be strict about it. The title has to be the main characters name, and that's it. So as much as I might like to say Ernest Goes to Jail, I can't because "Goes to Jail" isn't part of his name. I don't care if the title is the person's whole name or just part of it. I don't care if it's their real name or their nickname, if you can convince me the entire title is something you would call the main character. Ok, so enough of me being picky. Hopefully you'll still enjoy this. Here's what I've come up with. 1. Henry Fool. What is poetry? Check this movie out. Hal Hartly has apparently just made a sequel which is titled after Parker Posey's character Fay Grimm. 2. Barton Fink. Struggling screenwriter. It seems like some of the things dealt with in this movie aren't that far from Henry Fool. 3. Amadeus. I didn't realize this when I started, but my first three movi ... " [More]
IndieIndie Natalie Portman
by Indie in Walk of Fame
liked it.
"I like her almost anything I see her in, but am I off thinking that her best forum for advancement was The Professional? -side note saw her made fun of on South Park... does she have an inordinately large head? " [More]
patchespatches Re: V for Vendetta
by patches in bbk
liked it.
"Natalie Portman has really come to, her first performance in The Professional LonTheProfessional's detail page I thought was fleeting, beginners luck. After seeing her cardboard Star Wars performance, I thought she was pounding the nails in her own coffin... But then came Closer, Closer's detail page which knocked me on my butt. Her performance was really surprising. I felt like she getting there in V. " [More]
Review by All Movie Guide
All Movie Guide
liked it.
With his breakthrough, La Femme Nikita, director Luc Besson injected operatic, Die Hard-style Hollywood action into a European-style storyline; in his first Hollywood feature, Léon (retitled The Professional for U.S. release), he did the opposite, creating a cross between a placid, neorealist fable and a pyrotechnics-laden action movie. Jean Reno is convincing as the quiet, stealthy New York City hitman who reluctantly takes in a rough-hewn, 12-year-old apprentice killer (Natalie Portman, in her first screen role). Their scenes together are sweeter than they are shocking, and Besson keeps their relationship just within the realm of believability. Many critics found the Portman character exploitative, but the actress' preternaturally confident screen presence prevents her from being used as a victim. The only sore spot is Gary Oldman's histrionic performance as a corrupt DEA agent; Besson lets his scenes run for what seems like an eternity. ~ Michael Hastings, All Movie Guide
 



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