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Heavenly Creatures
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Directed by Peter Jackson.
After winning a cult following for several offbeat and darkly witty gore films, New Zealand director Peter Jackson abruptly shifted gears with this stylish, compelling, and ultimately disturbing tale of two teenage girls whose friendship begins to fuel an ultimately fatal obsession. Pauline (Melanie Lynskey) is a student in New Zealand who doesn't much care for her family or her classmates; she's a bit overweight and not especially gracious, but she quickly makes friends with Juliet (Kate Winslet), a pretty girl whose wealthy parents have relocated from England. Pauline and Juliet find they share the same tastes in art, literature, and music (especially the vocal stylings of Mario Lanza), and together they begin to construct an elaborate fantasy world named Borovnia, which exists first in stories and then in models made of clay. The more Pauline and Juliet dream of Borovnia, the more the two find themselves retreating into this fantastical world of art, adventure, and Gothic romance as they slowly drift away from reality. The girls' parents decide that perhaps they're spending too much time together, and try to bring them back into the real world, but this only feeds their continued obsession with Borovnia (and each other) and leads to a desperate and violent bid for freedom. Featuring excellent performances (especially by Kate Winslet) and imaginative production design and special effects, Heavenly Creatures skillfully allows the audience to see Pauline and Juliet both from their own fantastic perspective and how they seem to the rest of the world. Remarkably enough, Heavenly Creatures is based on a true story; in real life, Juliet grew up to become mystery novelist Anne Perry. ~ Mark Deming, All Movie Guide
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thefilmpanelnotetakerthefilmpanelnotetaker Interview: Leah Meyerhoff Bring ...
by thefilmpanelnotetaker in thefilmpanelnotetaker Blog
hasn't rated it.
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"On Saturday, Brooklyn, NY-based filmmaker Leah Meyerhoff will be heading to Beantown to present a retrospective of her short films at the Brattle Theatre during the Boston Underground Film Festival. I had the great pleasure to hang out with Leah recently during the South by Southwest (SXSW) Film Festival in Austin, Texas. I first became familiar with Leah’s work at a screening of short films at the Brooklyn Independent Cinema Series last year where I saw the music video she directed, Team Queen. Soon after, I watched her Student Academy-Award nominated short Twitch, which has played in over 200 film festivals around the world and won numerous awards. Last night, I spoke with Leah about her upcoming trip to Boston and what people can expect there, as well as what’s going on with her feature film in development, Unicorns, and other defining moments in her young career. Leah finds a unicorn in the Enchanted Forest in Austin, Texas, at the Bi The Way World Premiere party during SXSW.TF ... " [More]
Dr_GorDr_Gor Re:Re:Re:Re: Total Film's Great ...
by Dr_Gor in Directors
hasn't rated it.
"Ok. Here I am, late to the party as usuall! I was pleasantly surprised by this 'Total Films' list. I was pleased to see ALMOST all of my favorite Horror Movie directors represented! Carpenter, DePalma, Romero, Kubrick, Raimi, HITCHCOCK, Hawks, Siegel, Tarantino, Freidkin et al. I like all the films of Shyamalan, most notably 'Signs', and I think his spot on the list is well deserved. Most noteably missing are Wes Craven and Tobe Hooper.... but then what else would you expect coming from me? .... Anyhow, I was VERY pleasantly surprised to see Peter Jackson at number 9! This is a well deserved honor for this underestimated little director from New Zealand! I thought 'King Kong' was a failure but I saw that coming a mile away! You can NOT remake a 'masterpiece' and expect it to be better than the original! When will these guys figure this out? And if you dismiss his earlier, splattery 'gore-fests', or exploitat ... " [More]
RisseladaRisselada Re: What If Hitchcock Could Use ...
by Risselada in PulpFiction1975
hasn't rated it.
"Having restrictions is often what promotes the most creativity. Most directors would be put at a disservice to have access to a massive budget and the supposed newest and latest effects technology. I'm lookin at you Mr. Spielberg. Everything was downhill since your masterpiece, Duel. " [More]
paulpaul Re: What If Hitchcock Could Use ...
by paul in PulpFiction1975
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"Hitchcock's effects were state of the art at the time. Now the datedness of the effects always pull me out of an otherwise state of suspended disbelief. Bummer. I honestly think scenes like the nightmare sequence in Vertigo should be memorialized as a reminder to avoid special effects at all costs. Inevitably they won't hold up.However, an excellent use of CGI were the establishing shots in Crouching Tiger, Hidden Dragon. Subtle, deliberate, and didn't try to play within the story so much as just give a sense of place.I think so many brilliant directors have been seduced by the harlot of special effects wizardry, which just defies reason for me. Think of any great director (besides George Lucas, who's really a glorified FX technician) and their best work is virtually empty of special effects, in my opinionEven Peter Jackson. Ever seen Heavenly Creatures? I love the LOTR trilogy for its mythic scope and sheer spectacle, but the dramatic aspect is ham-fisted compared to that previou ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Brimming with both feral energy and surprising humanity, Heavenly Creatures was best defined by its director Peter Jackson, who called it "a murder story about love, a murder story with no villains." This idea is reflected in the film's treatment of its "heavenly creatures," two schoolgirls whose consuming fantasy world is much more fulfilling than what the real world offers them: reality, in the end, is the film's true villain, as its intrusion on the girls' fantasy world ultimately brings everything crashing down. As seen by Jackson, a director previously known for such gory gross-out films as Bad Taste and Dead Alive, the girls are intelligent, creative creatures hurtling along on a weird trajectory towards madness; as played by Kate Winslet and Melanie Lynskey, they are vibrant characters undone as much by their vulnerability as by their destructiveness. Winslet and Lynskey are the film's strongest assets, playing off each other in perfectly nuanced harmony. Where Winslet's Juliet is cocky and brash, Lynskey's Pauline is subdued and glowering; together, they glow with a righteous fire bordering on lunacy. Jackson refuses to condemn or apologize for them, leaving viewers to elicit their own conclusions from the story's parade of horror and beauty. ~ Rebecca Flint Marx, All Movie Guide
 



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