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Death and the Maiden
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Directed by Roman Polanski.
Ariel Dorfman's acclaimed play of the same name serves as the basis for Roman Polanski's drama, which depicts a politically and psychological complex battle of wills amongst three characters in an unnamed South American country. The trio in question is made up of Paulina Sigourney Weaver, her husband Gerardo Stuart Wilson, and Dr. Miranda Ben Kingsley, a seemingly friendly stranger who provided Gerardo with a ride home after a car breakdown. The trouble begins when Paulina claims to recognize Miranda's voice, and accuses him of being the unseen doctor who had subjected her to horrific torture during her days as a prisoner of the country's former government. Miranda, flabbergasted, denies any knowledge of such events, but Paulina is determined to have her revenge. The uncertain Gerardo finds himself caught in the middle, forced to decide if his wife is telling the truth or reacting irrationally due to her past trauma. The confrontation and shifts in power between the three inevitably raises issues of justice and revenge, especially in relationship to the punishment of war criminals. ~ Judd Blaise, All Movie Guide
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filmedbutnotforgottenfilmedbutnotforgotten Death And The Maiden
by filmedbutnotforgotten in filmedbutnotforgotten Blog
loved it.
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"listen to the podcast   Year: 1994 Writer: Ariel Dorfman (play & screenplay), Rafael Yglesias (screenplay) Director: Roman Polanski Budget: ? Gross: $2,104,000 (USA) Chinatown, Rosemary's Baby, The Pianist.  when people think about roman polanski it is usually those films that come to mind (those and the whole underage sex, exiled to europe thing).  however, when i think polanski, Death And The Maiden   is usually first and foremost in my head.  those three other films are great and he has made a few others as well, but i can argue that, for me, Death And The Maiden is maybe my favorite of them all (or at least tied with Chinatown and Rosemary's Baby which i loved). set in an unnamed south american country, sigourney weaver's character (paulina escobar) is living with her husband (stuart wilson), a high profile attorney.  one day, because of a storm, he is forced to get a lift home from a helpful citizen (ben kingsley).  however, when paulina hears the man's voice she th ... " [More]
davisfreebergdavisfreeberg Death and the Maiden - Good The ...
by davisfreeberg in Davis Freeberg's DVD AllStars
hasn't rated it.
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"While watching the Death and the Maiden, I had some really conflicting opinions about the film. First off it was a drama which isn't really my cup of tea because I like to be reminded about how great life is instead of how tough it can be. Nonetheless there is a time and an audience for dramas, so if you happen to like dramas, it might be worth checking. My second conflict was in the production of the film. The whole film really only revolves around three characters and while there are several settings used, most of it takes place in the living room of Sigourney Weaver's character. The film was really created more as an adaptation to a play then a movie. This means that it has rich dialoge and great acting, but say goodbye to the special effects. A lack of special effects doesn't make it bad, but again it's part of what makes this an intense film to watch. Finally, the subject matter is more then a little sensitve, so you should be prepared for some heavy thought during thi ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Although its origin is made too clear by a stage-bound production, this adaptation of an Ariel Dorfman play poses profound ethical and philosophical questions and boasts riveting performances from its cast, representing a highlight in the comeback stage of director Roman Polanski's career. Although this is primarily a three-character piece, Gerardo (Stuart Wilson) is superfluous to a degree, standing in as he does for the audience. Death and the Maiden is really a duet between Paulina (Sigourney Weaver) and Dr. Miranda (Ben Kingsley), and the actors do not disappoint, navigating the peaks and valleys of an emotional roller-coaster ride. A monument to anger and pain, Weaver is electrifying, while Kingsley convincingly portrays lethal cunning as a man literally thinking for his life. If the film has a flaw, it's the visually static aspects of the storytelling. Polanski should have sought more visual ways to open up the play's action (a climactic scene atop a bluff is a welcome relief from the confining one-room setting), but this is a small quibble. Just as a documentary can be compelling as nothing more than a series of talking heads as long as those heads are saying something interesting, so too can a play adaptation work grandly in cinematic form when the source material is this richly rewarding. ~ Karl Williams, All Movie Guide
 



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