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8 1/2
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Directed by Federico Fellini
Fresh off of the international success of La Dolce Vita, master director Federico Fellini moved into the realm of self-reflexive autobiography with what is widely believed to be his finest and most personal work. Marcello Mastroianni delivers a brilliant performance as Fellini's alter ego Guido Anselmi, a film director overwhelmed by the large-scale production he has undertaken. He finds himself harangued by producers, his wife, and his mistress while he struggles to find the inspiration to finish his film. The stress plunges Guido into an interior world where fantasy and memory impinge on reality. Fellini jumbles narrative logic by freely cutting from flashbacks to dream sequences to the present until it becomes impossible to pry them apart, creating both a psychological portrait of Guido's interior world and the surrealistic, circus-like exterior world that came to be known as "Felliniesque." 8 1/2 won an Academy Award for Best Foreign-Language Film, as well as the grand prize at the Moscow Film Festival, and was one of the most influential and commercially successful European art movies of the 1960s, inspiring such later films as Bob Fosse's All That Jazz (1979), Woody Allen's Stardust Memories (1980), and even Lucio Fulci's Italian splatter film Un Gatto nel Cervello (1990). ~ Jonathan Crow, All Movie Guide
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Smooth_JSmooth_J Jesus, what a clusterfuck.
by Smooth_J in Smooth_J Blog
loved it.
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SpoutBlogSpoutBlog Adam Del Deo and James Stern, E ...
by SpoutBlog in SpoutBlog on spout.com
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"Adam Del Deo a " [More]
leeroy711leeroy711 What is it called when......... ...
by leeroy711 in leeroy711 Blog
loved it.
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"Have you ever watched a movie that you liked so much that it actually pisses you off that you waited soooo long to watch it? Is there a special word for that? I just finished watching Samuel Fuller's Shock Corrider and I have that feeling. This movie has been bouncing around my netflix queue for the better part of a year now and I finally sat down to watch it tonight. I had a similar feeling after watchi " [More]
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indieabby88indieabby88 Re:Top 5 weirdest movies
by indieabby88 in Top 5
"[quote user="Smooth_J"] Surreal, absurd, disturbing, or just plain strange movies. I got this idea from a discussion on IMDB, and I believe some movie website or magazine released a list of the top 20 a while back. In terms of overall weirdness, here it goes: 1. Un Chien Andalou The old Bunuel-Dali collaboration. This had me at the part where the eye gets " [More]
leeroy711leeroy711 Re:Top 5 weirdest movies
by leeroy711 in Top 5
"[quote user="Smooth_J"] Considering this is labeled "Top 5 Weirdest movies", I'm afraid to include 8 1/2, since it's not per se "weird", but more dreamy and surrealist, which does not necessarily mean weird in my book. All of the surrealist films I mentioned were really by-the-book WEIRD. Am I wrong here? [/quote] I wouldn't put 8 1/2 on the list, bu " [More]
Smooth_JSmooth_J Top 5 weirdest movies
by Smooth_J in Top 5
"Surreal, absurd, disturbing, or just plain strange movies. I got this idea from a discussion on IMDB, and I believe some movie website or magazine released a list of the top 20 a while back. In terms of overall weirdness, here it goes: 1. Un Chien Andalou The old Bunuel-Dali collaboration. This had me at the part where the eye gets sliced with a razor-blade.  " [More]
leeroy711leeroy711 Re:Foreign Film Name Game
by leeroy711 in Friends of Foreign Flicks
"[quote user="yojimbo73"] 8 1/2 Does that count if it's spelled out? :) [/quote] I used to sort my movies like that........ so, yes it counts. Fellini Satyricon that's a double word score because I used the same director. " [More]
yojimbo73yojimbo73 Re:Foreign Film Name Game
by yojimbo73 in Friends of Foreign Flicks
"8 1/2 Does that count if it's spelled out? :) " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
loved it.
After his international smash La Dolce Vita (1960), Federico Fellini found himself saddled with a case of director's block, inspiring him to make 8 1/2 (1963), about fictional director Guido Anselmi's case of director's block, that made visible the intimate workings of creativity. To reveal Guido's state of mind as he struggles with his filmmaking and multiple demands on his private life, Fellini seamlessly interweaves Guido's activities, fantasies, memories and dreams, doing away with any semblance of straight linear narrative structure in favor of Guido's surreally scattered psyche. In so doing, Fellini, like playwright Luigi Pirandello, reflexively examines the artistic process itself; Guido's turmoil paradoxically brings Fellini's eighth-and-a-half feature (the half stood for two shorts), to fruition. Internationally hailed as an innovative masterpiece, and a commercial success, 8 1/2 won Fellini his third Oscar for Best Foreign Film and inspired a generation of filmmakers with the singularly personal artistry that could only be described by the adjective "Felliniesque." Bob Fosse's All That Jazz (1979) and Woody Allen's Stardust Memories (1980) were their own 8 1/2s; Nine was the 1982 Broadway musical version. ~ Lucia Bozzola, All Movie Guide
 

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