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Radioland Murders
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Directed by Mel Smith
A blend of screwball farce and whodunit murder mystery, this madcap period piece was the brainchild of executive producer George Lucas. In 1939, Penny Henderson (Mary Stuart Masterson) is the harried general secretary and de facto manager of a new fourth radio network, WBN. On the night that the Chicago station goes live on the air, a mysterious voice interrupts, and a series of murders soon follows, each one described by the same sonorous phantom. While Penny and her staff desperately try to keep WBN's roster of shows afloat during the unfolding crisis, her estranged husband Roger (Brian Benben), a staff writer, becomes the chief suspect. Roger is forced to dodge a detective, Lieutenant Cross (Michael Lerner), find the real killer, win Penny back, and perform last-minute script rewrites for an unhappy sponsor. As the backstage hysteria reaches a fever pitch, the show goes on with real-life radio-era pros such as George Burns and Rosemary Clooney. Although never explicitly pointed out in the film, Radioland Murders (1994) was a pseudo-prequel to an earlier Lucas feature -- Roger and Penny are the future parents of Curt Henderson (Richard Dreyfuss) from American Graffiti (1973). ~ Karl Williams, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
A little-known entry in the catalog of producer George Lucas, Radioland Murders is one part murder mystery, one part screwball comedy, and one part tribute to the "golden age" of radio. Lucas' foray outside the fantasy-science fiction genre is an admirable attempt that proves difficult. Mary Stuart Masterson and Brian Benben head a large cast as a bickering married couple employed at Chicago radio station WBN, she as a secretary and he as a writer, who are separating right before the station's premier broadcast. As the live broadcast gets underway, a series of murders threaten to pull the plug. Of course, further complicating matters, Benben becomes the prime suspect and must avoid the police while trying to prove his innocence. Masterson and, especially, Benben are very funny, but they are saddled with fighting through a series of clichés, forced situations, and tired jokes. Benben mugs and takes pratfalls, albeit effectively, while Masterson is stuck in the role as his foil and the glue holding everything together while the plot comes undone. Comedian Mel Smith directs and tries hard to match the performances with the opulent period sets, but can't seem to decide the direction he wants the film to take. The film is loaded with cameos by lower-tier celebrities, often spoofing themselves, and the supporting cast features very funny performances from Michael McKean as the orchestra leader and Christopher Lloyd as the sound effects man. ~ Dan Friedman, All Movie Guide
 

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