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What's Eating Gilbert Grape
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Directed by Lasse Hallström.
Swedish director Lasse Hallstrom's follow-up to the underrated Once Around earned far more attention than its predecessor thanks to the judicious casting of perennial thinking woman's heartthrob Johnny Depp and a certain up-and-coming thespian by the name of Leonardo DiCaprio. A prisoner of his dysfunctional family's broken dreams in tiny Endora, IA, Gilbert (Depp) serves as breadwinner and caretaker for his mother and siblings following his father's suicide and his older brother's defection. Momma (Darlene Cates) is a morbidly obese shut-in who hasn't left the house in seven years; her children include retarded Arnie (DiCaprio), who's about to turn 18 despite a host of negative medical forecasts, and terminally embarrassed Ellen (Mary Kate Schellhardt), who's emerging from an awkward adolescence. When he's not taking care of the difficult but tender Arnie, Gilbert spends his time fixing up the family's tattered farmhouse, working at a failing mom-and-pop grocery store and hanging with local misfits Bobby (Crispin Glover), an overly ambitious junior undertaker, and Tucker (John C. Reilly), a handyman who hankers after a job at the new burger franchise. Into this complicated but essentially unchanging social universe steps Becky (Juliette Lewis), a thoughtful young woman who's been escorting her nomadic grandmother from state to state in a mobile-home caravan. As Becky teaches Gilbert to finally consider his own happiness for a change, she disrupts both his family obligations and his long-running affair with a lonely housewife (Mary Steenburgen). Adapted by Peter Hedges from his own novel of the same name, What's Eating Gilbert Grape was the first and only film role for non-actress Cates, whom the filmmakers discovered on an episode of the Sally Jesse Raphael Show titled "Too Heavy to Leave Their House." ~ Brian J. Dillard, All Movie Guide
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mercurialmercurial Weekly Theme for July 7: Foodie ...
by mercurial in Weekly Theme
loved it.
"Moving along from the depressingly bleak visions of man struggling to survive after the apocalypse, let's spend some time examining films that revolve around humankind's love of food in all it's myriad forms. We all know at least one scene from a film that involves food (from the orgasm sandwich in When Harry Met Sally to the beggars feast in Viridiana or the Chinese restaurant Christmas dinner in A Christmas Story etcetera), but let's discuss those lesser in abundance films in which the entirety of the plot focuses primarily on food. Recently, Ratatouille seemed to bring out the gourmand in a lot of people (similar to what Big Night did more than a decade ago) while No Reservations just seemed to turn everyone's stomachs. Waitress brought about renewed interest in the realm of baking (pies in particular) and Tim Burton's re-imagined Charlie and the Chocolate Factory once again sent everyone's sweet tooth into a diabetic coma. While it could be argued that every zombie movie could ... " [More]
minerwerksminerwerks 'Real Life' Softie
by minerwerks in minerwerks Blog
loved it.
Was this review helpful? [Be the first to tell us!]
"Every year I walk into a movie theater at least thirty times and the number of films viewed increases a lot if you include DVDs. Each time a new feature unspools, I am hoping to be swept away, emotionally engaged or otherwise exhilarated. If I'm lucky, one or two films a year will connect with me on such a deep level that I feel completely connected to the people who made it. These experiences are what keep the whole process in motion.At first, I had been generally uninterested in seeing 'Dan in Real Life.' It's not Steve Carell's fault... or wait, maybe it is, since he chose to make 'Evan Almighty.' No, I'll forgive him that one since 'The 40 Year-Old Virgin' was so great. But what a stupid poster for 'Dan in Real Life' - Steve's head on pancakes. Huh? The trailer was not too inspiring, either. But eventually one factor changed the whole equation. Enter Peter Hedges.Hedges is definitely not a household name. He has only one pervi ... " [More]
gotheregothere A gift
by gothere in You should go there
liked it.
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"Blood Diamond is a very good movie and worth your time. First of all, it's a movie where action actually feels like real violence, and that people wielding guns aren't the heros. It depicts things that people in the West don't want to know about or to think about, the blood diamond trade, child soliders, civil unrest caused by our greed. Blood Diamond lays it on your doorstep – not as the flaming turd like some kinds of social commentary. Rather, it's a gift. A story that is gripping and will move you, if not to action, to no longer turn a blind eye to the truth. Leonardo DiCaprio is coming into his own. Having bulked up for this role and sporting a convincing South African accent, we see him as a man. I remember first seeing him in What's Eating Gilbert Grape? and being genuinely unsure if he was mentally challanged. Titanic aside (actually, I liked that movie despite the hype), DiCaprio continues to be an actor worth watching. Djimon Hounsou continues to ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
This tender but unflinching examination of the tension between individual happiness and family obligation neatly condenses a large ensemble, a lengthy backstory and a lot of subtext into two delightfully cinematic hours. Just a touch of voice-over from leading man Johnny Depp sets the stage for a story that is told from his character's viewpoint even as it takes in a host of supporting players and deals with such tangential issues as frustrated infidelity and the strip-malling of America. After his roguish turn in This Boy's Life, Leonardo DiCaprio made his name as a serious young actor with his top-notch work as the retarded Arnie; spot-on physical and vocal mannerisms broadcast DiCaprio's technical prowess, but his performance here has the sort of emotional undertow and sly, if childlike, intelligence that has eluded other actors as accomplished as Dustin Hoffman in similar roles. Non-actress Darlene Cates is fantastic as the manipulative yet ultimately dignified and sympathetic Momma, while the supporting cast, from John C. Reilly and Crispin Glover to Juliette Lewis and Mary Streenburgen, provides comic asides, thoughtful interludes, and catharsis upon command. In the end, though, it's Depp and director Lasse Hallstrom who hold it all together, the former actually using his soulful eyes instead of coasting on the beauty of his gravity-defying cheekbones, the latter deftly balancing pathos and contemplation and keeping his large cast and story in line. ~ Brian J. Dillard, All Movie Guide
 



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