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Demetrius and the Gladiators
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Directed by Delmer Daves.
Demetrius and the Gladiators was the sequel to The Robe, and though they were released several months apart, the films were shot at the same time. Based on characters originally conceived by Lloyd C. Douglas, the film stars Victor Mature as the title character, an ex-slave who embraced Christianity after being present at the Crucifixion. Thrown in jail for defending an elderly merchant from a sadistic Roman legionnaire, Demetrius is forced to attend gladiator school and fight in the arena for the amusement of the mad, debauched emperor Caligula (Jay Robinson, likewise repeating his performance in The Robe). The well-proportioned Demetrius attracts the attention of Messalina (Susan Hayward), the nymphomaniac wife of Caligula's would-be successor Claudius (Barry Jones). Briefly losing faith in Christ, Demetrius is saved from himself by the apostle Peter (Michael Rennie). Because of contractual complications, Demetrius and the Gladiators was released to television seven years before The Robe. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Although it was lavishly produced and blessed with an obviously generous budget, the fund of Demetrius and the Gladiators lies in its cheesiness. There's no mistaking Demetrius for a good movie, but as an exercise in good clean camp (sword and sandals variety), it's hard to beat. Start with Victor Mature, never anyone's idea of a great actor; in a role of this sort, however, most of the acting is done by way of biceps, and by that measure, he does very well. Forget the fact that he has maybe two expressions and a sameness to his line readings. Besides, Susan Hayward and Chris Robinson are on hand to make up for Mature's dramatic dullness. Indeed, at times, it seems as if Hayward and Robinson are in a race to see who can go over the top the fastest and the farthest. (Robinson, in one of the most delightfully bizarre performances ever, wins hands down, but Hayward's sultry, bitchy performance is still a hoot.) The dialogue is just what you would expect, and the plot really exists only as an excuse for the action sequences (which are very well handled). As a sequel to The Robe, Demetrius has to wrap itself in the cloak of religion, but its heart is with its gladiators, not its depiction of the early days of Christianity -- which is fortunate, for as a historical document, Demetrius comes up very, very short. ~ Craig Butler, All Movie Guide
 



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