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Dead Ringers
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Directed by David Cronenberg.
Two twin brothers, both renowned gynecologists, descend into madness after becoming romantically involved with the same woman in this disturbing, horrific drama. Jeremy Irons delivers a bravura performance as both Beverly and Elliot Mantle, Toronto-based surgeons who operate an exclusive gynecological clinic and share a reputation as brilliant innovators. They also share lovers, as the more aggressive, confident Elliott seduces women and later secretly allows the shier, more intellectual Beverly to reap the benefits. This arrangement is disturbed when Beverly falls in love with their newest conquest, Claire Niveau (Genevieve Bujold), a famous actress with an unusual gynecological deformity. Beverly's relationship with the hard-living Claire leads to him to turn away from Elliot and begin a dangerous involvement with drugs and alcohol. Elliot senses his brother's rapid decline into addiction and paranoia and attempts to save him, only to start falling victim to the same urges. Director David Cronenberg adapted the loosely fact-based tale to his own creepy purposes, tapping into primal fears regarding the uncanniness of twins and male sexual panic. His notorious gore was used sparingly here, however, with the film's most disturbing moments coming through suggestion, as in the display of a group of terrifying surgical instruments created by Beverly in his madness. Cronenberg's expertise with special effects proves crucial, however, as he and his regular cinematographer Peter Suschitzsky seamlessly combine Irons' two performances in a manner unrivalled by any previous depiction of twins. This visual achievement is more than matched by Irons, who delivers what may be his career performance, delineating the twins' differences and similarities and embodying their collapse in frighteningly believable fashion. The subject matter and chilly tone may be too intense for some viewers, but the brilliant central performance and intellectually provocative approach will prove thoroughly absorbing for others. ~ Judd Blaise, All Movie Guide
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TheWorkingDeadTheWorkingDead Re: The Differentiation Of Horr ...
by TheWorkingDead in HORROR MOVIES 101
loved it.
"Well, David Lynch did one explicitly non-horrific movie, The Straight Story. And of course Dune is sci-fi, not really horror. Elephant Man, that's stretching it, unless you want to argue that it shows the horrific cruelty man is capable of inflicting on other men.I wouldn't call Crash, by Cronenberg, a horror film. Nor would I call eXistenZ. But yes, both David's usually find a way to inject horrific scenarios into all their work. They're the best horror directors not considered horror directors. " [More]
Dr_GorDr_Gor Re: The Differentiation Of Horr ...
by Dr_Gor in HORROR MOVIES 101
hasn't rated it.
"I would have to agree with 'sonofkinski' on one thing... every David Lynch movie I've ever seen is most certainly a Horror movie. These would be "Blue Velvet" , "Twin Peaks: Fire Walk With Me" and "Lost Highway" . I don't think I've seen any others of his. And, yes, I think every Cronenberg movie I've ever seen would be a horror movie as well... Including "Dead Ringers" ... (appearently there was something very interesting about Genvieve Bujold's nether regions!) ... Anyhow, thanks for reviving this discussion, guys! It was (and IS) an interesting one! " [More]
Phantasma-gore-iaPhantasma-gore-ia Re: Videodrome
by Phantasma-gore-ia in Gorrible
liked it.
"Honestly, it's been a fair bit since I've seen it, but I do recall a few things, one of them being that it was extremely difficult to discern any "messages" at all. I've found Cronenberg films (with the distinguished due exception of Dead RIngers) to be characteristically pointless. Existenz was frustratingly inconclusive, meandering and underdeveloped; Naked Lunch was...everything (disorganized, complicated and impossible to follow and Videodrome: incomplete, convoluted and frustrating.So, as far as its messages on violence and its role in media and popular culture including television and film, more meaningful, direct and coherent stories on this, I reference The Running Man and, perhaps more to the point, the brutally fearless Series 7: The Contenders and The Last Horror Movie. They more purposefully address the issues concerned than Videodrome, and their stories are complete, fully thought out and provocative. " [More]
HairyLimeHairyLime Rabid
by HairyLime in HairyLime Blog
liked it.
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"Aside from laughably horrible acting and low budget production values, this is actually a pretty decent horror concept. An early effort from David Crononberg that echoes a lot of his recurring themes, disquieting bodily transformations, disease and societal breakdown.A young woman undergoes "radical plastic surgery techniques" and as a side effect ends up growing a strange little bloodsucking orifice in her armpit. This portion of the story is less interesting than the side effect of her 'victims' who get a rabies-like disease that causes them to go on murderous rampages and as a result martial law is declared and the victims are shot down in the street. Similar in many ways to 'Night of the Living Dead', and while there are certain scenes will provoke laughter and disbelief, there are also some very effective suspense scenes, and the final shot with the garbage truck is quite memorable. Better than I was expecting, but not by much.Cronenberg is not my favorite dire ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
David Cronenberg focussed his obsession with the grotesque inward with Dead Ringers. Unlike his previous efforts, the director is more interested in the emotional defects of his characters as opposed to their physical manifestations of deviance. The clinical, disquieting tone is somewhat surprising from a director who is considered something of an auteur of vulgarity, not only because of the bizarre qualities of his films, but also because of his tendency to push the boundaries of special effects. Too often, his early work annoys because the effects are deliberately cultish and preposterous (a quality he tempered for his mainstream remake of The Fly). In Dead Ringers, however, he uses an altogether more subtle effect, making twins out of lead Jeremy Irons though computer-aided split screen; the technique has since become much more widespread. Irons' distinguished performance (or rather, performances) makes sure that the technique isn't just a gimmick. Irons won several critics' prizes for his work in the film; many feel the actor should have been nominated for an Oscar as well. ~ Brendon Hanley, All Movie Guide
 



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