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Dangerous
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Directed by Alfred E. Green.
Not even considered a good film back in 1935, Dangerous is held together by the mesmerizing performance of Bette Davis. The star is cast as alcoholic, self-destructive stage actress Joyce Heath, a character obviously based on Jeanne Eagels. Wealthy architect Don Bellows (Franchot Tone) becomes convinced that Joyce can be rehabilitated with the "right" stage vehicle, and begins pulling strings to bring her back to the footlights. She rises to the occasion, falling in love with Don in the process. But Joyce becomes convinced that she's a jinx to any man who gets near her, as proven by her spineless, dissolute husband, Gordon Heath (John Eldredge), who refuses to give her a divorce. Deliberately hurting Don's feelings so he will escape her "curse," Joyce determines to rid the world of both herself and her husband. But things don't work out that way, and as a result Joyce is left in an inextricable Ethan Frome-like dilemma at film's end, while Don finds happiness with his socialite Gail Armitage (Margaret Lindsay). It is generally conceded that Bette Davis won her Academy Award for Dangerous because she was denied the Oscar for her performance in the previous season's Of Human Bondage. Dangerous was remade (and considerably reshaped) in 1941 as Singapore Woman. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Bette Davis' Oscar for Dangerous may have been a consolation prize for not winning (or even being nominated for) her breakthrough performance in Of Human Bondage the previous year, but that doesn't change the fact that her Dangerous work is stunning. Indeed, in some ways, modern audiences may find it preferable to her Bondage performance, which comes across as powerful but a bit forced. Davis is in more control in Dangerous, more natural and at ease, even though she is no less powerful. Indeed, those legendary eyes flash burning, scorching fire at the slightest provocation -- and, of course, can turn glacially icy or meltingly seductive a moment later. Dangerous is only a so-so movie, but Joyce Heath is a great part; it's no Hedda or Lady MacBeth, but it provides Davis with ample opportunity to show just what she is made of, and she makes sure she doesn't squander one second of this opportunity. Against this force of nature, it's amazing that Franchot Tone not only holds his own but is able to make a favorable impression -- a fact made even more notable considering the indifference with which his part is written. Alison Skipworth also scores points, playing a character that's much more "above board" than her usual somewhat shady characters. Still, it's Davis' show all the way -- and she makes it well worth watching. ~ Craig Butler, All Movie Guide
 

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