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Damn Yankees
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Damn Yankees is a frothy, faithful adaptation of the 1956 Broadway hit. In an amusing slant on the "Faust" legend, aging baseball fan Joe Boyd (Robert Schafer) is given an opportunity to lead his beloved Washington Senators to victory by a devilish gent named Applegate (Ray Walston). Boyd is transformed into handsome young "Shoeless" Joe Hardy from Hannibal, Mo. (and in the process, the part is taken over by Tab Hunter, who's better than everyone said he was back in 1958). Joe becomes the Senators' star player, but at the price of his immortal soul; he isn't terribly worried, however, since he's built an escape clause into his contract with Applegate. To see that Joe doesn't get a chance to exercise that clause, Applegate sends his luscious assistant Lola (Gwen Verdon) to seduce the ballplayer. This effort doesn't work, but Applegate still manages to cause Joe to lose his chance at salvation. But there is still a ray of hope--if Hardy can win the deciding pennant game, he'll be able to foil Applegate's master plan of causing the Senators to lose. With Lola's aid, Joe gives the devil more than his due. The principal selling angle of Damn Yankees, beyond the presence of Gwen Verdon and Ray Walston delightfully recreating their stage roles, are the wonderful Richard Adler/Jerry Ross songs, including "You've Gotta Have Heart" and "What Lola Wants, Lola Gets." Based on the novel The Year the Yankees Lost the Pennant, the film (like the play before it) unfortunately throws away Wallop's wryly ironic climax; as a result, the last scenes appear rushed and haphazard. But why quibble? Damn Yankees is and always was a rock-solid piece of entertainment, as proven by its recent S.R.O. Broadway revival. ~ Hal Erickson, All Movie Guide
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SpoutBlogSpoutBlog 5 Films for Yankees Fans to Hate
by SpoutBlog in SpoutBlog on spout.com
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"Weather permitting, I should be at Yankees Stadium this afternoon for opening day. So, I figured I’d share one of my favorite jokes from Billy Wilder’s One, Two, Three (a film I also wrote about last week). James Cagney plays a Coca-Cola executive in West Berlin who’s supposed to be making sure his boss’ 17-year-old daughter, Scarlett (Pamela Tiffin), stays out of trouble. He does a bad job, though, because Scarlett sneaks into East Berlin, marries a young communist and gets pregnant with his child. When Cagney’s character asks the girl why she’s been helping to blow up balloons featuring the words, “Yankee Go Home”, she replies that where she comes from (Atlanta), everyone hates Yankees. I know it’s not meant to be baseball-related, but I sometimes like to pretend that Scarlett has foreseen the ‘96 and ‘99 World Series (the film takes place a few years after the Braves beat the Yankees in the 1957 World Series, but the team wasn’t yet in Atlanta at that time). And I wonder if most ... " [More]
Review by All Movie Guide
All Movie Guide
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Like such other Broadway luminaries as Ethel Merman and Mary Martin, Gwen Verdon was rarely given the opportunity to re-create her stage triumphs onscreen. Damn Yankees is the sole exception, and Verdon makes the most of the opportunity. The ultimate Bob Fosse dancer, she moves with a snakelike grace yet muscular intensity that wrings every ounce of meaning from Fosse's choreography. Fosse himself joins her for the delectable "Who's Got the Pain," an essentially meaningless diversion in terms of plot, but a killer in terms of entertainment. Verdon's voice is less impressive than her dancing, but she possesses a sense of musical line and phrasing that makes up for any technical shortcomings. Her comedic timing is wonderful, making her a good foil for Ray Walston. Unfortunately, Tab Hunter is dull, and the film's direction is weak. This is one of the era's most stage-bound musicals, but the exceptions are the musical numbers. Fosse makes better use of the camera than the directors, and even the more static ones are made vibrant by the choreography. If these early dance routines lack the overt eroticism of later Fosse efforts, they still sizzle. The score, while not exceptional, has quite a few satisfying songs, including the popular "Whatever Lola Wants" and "Heart," as well as the less-recognizable "A Little Brains, A Little Talent." Not the home run it was on-stage, Damn Yankees is nonetheless a good solid double. ~ Craig Butler, All Movie Guide
 

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