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D.O.A.
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"I want to report a murder...mine." So begins D.O.A. Told in flashback, the story tells of how vacationing CPA Frank Bigelow (Edmond O'Brien) becomes the recipient of a deadly poison known as iridium. Told by a doctor that he hasn't long to live, Bigelow desperately retraces his movements of the previous 24 hours, trying to locate his murderer. Through the aid of his secretary Paula Gibson (Pamela Britton) (who doesn't know of her employer's imminent demise), Bigelow traces a shipment of iridium to a gang of criminals who've used the poison in the commission of a crime. But for much of the film, it remains unclear why Bigelow himself was targeted. Though we know from the outset that Bigelow isn't long for this world, the film builds up an incredible amount of suspense towards the end, when Bigelow is taken "for a ride" by a psychopath (Neville Brand). with a penchant for pummeling his victims in the belly. DOA was remade in 1988 with Dennis Quaid and Meg Ryan. ~ Hal Erickson, All Movie Guide
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RisseladaRisselada movie year countdown #58 - 1949 ...
by Risselada in Risselada Blog
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"This blog entry is part of my “movie year countdown”. To read more about that check out my first Spout filmblog entry.White HeatIt's always exciting to see an older movie and hear a famous line you'd heard before but didn't know where it came from. It's even more exciting when the movie totally rocks, as is the case for me with White Heat.Cagney is such a watchable actor for me. And it was interesting to see Edmond O'Brien again just after watching D.O.A. This seems to happen to me often in watching movies from my "movie year countdown" list. Other actors I've seen in movies very close to each other are Tony Curtis, Takashi Shimura, Claude Rains, and Olivia de Havilland, from what I remember. It kind of reminds you that there were the same cast of stars and regular players in all eras of movie making. Another movie where you have the good guy and the bad guy, but you almost root for the bad guy more than the good guy even though y ... " [More]
RisseladaRisselada movie year countdown #57 - 1950 ...
by Risselada in Risselada Blog
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"This blog entry is part of my “movie year countdown”. To read more about that check out my first Spout filmblog entry.D.O.A.Although this movie is good, it lives on it's premise. And the premise is fantastic. But the director didn't quite seem to know how to push the noir feeling that it neededThere were however many unexpected moments for me. Some of them were enthralling like some of the fight scenes. Some stuff was just plain laughably outrageous. For instance, the thing that everyone who sees this movie will probably remember, every time a beautiful woman enters the screen in one scene this goofy slide whistle plays. I'm not sure what the reaction to this would have been in 1950, but for anyone watching it today it will probably take them totally out of the movie and remind them this was something of another era.The wild shots of all of the black jazz musicians playing for all of the white people who start going out of control is also memorable. ... " [More]
smithcosmithco Brillant and lousy all at the s ...
by smithco in My Ponderings on Cinema
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"D.O.A. is an interesting film. On one side, Maté prioneered some brillant shots and the premise is absolutly genious. But, at the same time, it is a B-movie, and there are plot holes (since when did he carry a gun?) and the acting is overly melodaramatic. " [More]
RisseladaRisselada Movie year countdown viewing pr ...
by Risselada in Risselada Blog
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"Here’s the dilemma. I have a list of well over three thousand movies I want to see saved on IMDB. I have a subscription to Netflix and recently every time I return a DVD it has been an extremely arduous task to make the decision as to which movie I should see next. In an effort to narrow down my choices and make the process of choosing slightly less overwhelming I have devised a system, almost a bit of a game for me. Here’s how it goes.For my first film selection, I have narrowed the options down to only films that were released in the year 2006. Then after I have watched that movie, my next selection would have to be a film released in 2005. Then I would see a film from 2004, then 2003, etc. The process of deciding is still laborious, but actually quite a bit more exciting. (I'm going by IMDB as my source for release years)I have already been making a list and have also already begun watching the films. I decided this might be a good time to start fooling ... " [More]
RisseladaRisselada Re: Top Classic Noir
by Risselada in Top 5
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"[quote user="Jymkata"] Rizzo- In my opinion This Gun for Hire is a masterpiece - midget-sized Alan Ladd makes a very tough noir anti-hero. I would also highly recommend The Big Clock (decently remade as No Way Out in the 80's) and D.O.A. (horribly remade in the 80's), but I would caution that I only have one problem with D.O.A. (early in the film there is a sound effect that becomes an annoyingly unsuccessful attempt at humor) . I also love The Postman Always Rings Twice (dissapointingly remade in the 80's - see a pattern?) and In a Lonely Place. The Lost Weekend is a precursor to addiction films like Requium for a Dream and it is well made, but I don't get excited about the subject matter. [/quote] Thanks for the insight into all of those. I was wondering if anyone would say anything. Man, I'm getting ansty to see some of these now! What's the deal with all of those 80's remakes? What was it about the 80's that made people interested in noir again? It doesn't seem to fit wit ... " [More]
JymkataJymkata Re: Top Classic Noir
by Jymkata in Top 5
liked it.
"[quote user="Risselada"] As much as I have LOVED pretty much every classic film noir I've seen, I'm surprised that I've seen so few. But here's my top 5. It's pretty much more than half of all of them I've seen. 1. Out of the Past, 1947. 2. Pickup on South Street, 1953. 3. The Killing, 1956. 4. The Big Sleep, 1946. 5. Strangers on a Train, 1951. If you'd have let it go to 1958, I would have put Touch of Evil up there for sure! Here's a couple I'm hoping to see. Anyone want to recommend any of them?D.O.A., 1949.The Big Clock, 1948.The Postman Always Rings Twice, 1946.In a Lonely Place, 1950.The Lost Weekend, 1945.This Gun for Hire, 1942. [/quote] Rizzo- In my opinion This Gun for Hire is a masterpiece - midget-sized Alan Ladd makes a very tough noir anti-hero. I would also highly recommend The Big Clock (decently remade as No Way Out in the 80's) and D.O.A. (horribly remade in the 80's), but I would caution that I only have one problem with D.O.A. (early in the film there ... " [More]
RisseladaRisselada Re: Top Classic Noir
by Risselada in Top 5
liked it.
"As much as I have LOVED pretty much every classic film noir I've seen, I'm surprised that I've seen so few. But here's my top 5. It's pretty much more than half of all of them I've seen. 1. Out of the Past, 1947. 2. Pickup on South Street, 1953. 3. The Killing, 1956. 4. The Big Sleep, 1946. 5. Strangers on a Train, 1951. If you'd have let it go to 1958, I would have put Touch of Evil up there for sure! Here's a couple I'm hoping to see. Anyone want to recommend any of them?D.O.A., 1949.The Big Clock, 1948.The Postman Always Rings Twice, 1946.In a Lonely Place, 1950.The Lost Weekend, 1945.This Gun for Hire, 1942. " [More]
Review by All Movie Guide
All Movie Guide
liked it.
One of the most definitive films noirs, the suspenseful D.O.A. also features one of the greatest conceits in film history: a man trying to solve his own murder. Not many movies can boast the line, "You've been murdered." The existential anxieties lurking in other film noirs are at the forefront of D.O.A.: the "walking dead man" metaphor is no longer merely a metaphor. The underrated Edmond O'Brien was at his finest as the accountant fighting a fatal, slow-acting poison. The film was the first directorial effort from famed cinematographer Rudolph Maté (The Passion of Joan of Arc, Vampyr), and would be his most enduring film. Though the production values were in keeping with B-movies of the time, the stylish black-and-white cinematography of Ernest Laszlo was creative even by expressionistic standards. D.O.A. has been remade twice, first as the average Color Me Dead and then as 1988's vapid D.O.A. (1988). ~ Brendon Hanley, All Movie Guide
 



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