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3 Women
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Directed by Robert Altman.
Robert Altman's Three Women takes a surreal, improvisational and rather eerie look at the lives of three women in a western desert town. The plot centers around the youngest of the women, Pinky (Sissy Spacek), an eccentric, withdrawn woman trying to begin a new life. She finds work as an attendant at a hot springs spa catering to the elderly and infirm. There she befriends her co-worker Millie (Shelley Duvall), an equally strange but more outgoing woman; the two bond, and are soon sharing an apartment. Pinky becomes increasingly dependent on Millie, eventually adopting aspects of her personality and appearance. This obsessive attachment is threatened when Pinky discovers Millie with a man -- Edgar (Robert Fortier), the macho, faux-cowboy husband of local artist Willie (Janice Rule), the last of the title's three women. Pinky's subsequent, desperate actions precipitate the film's enigmatic conclusion, involving an unexpected series of confrontations and role reversals amongst the three women. This story tends to take a backseat to the elliptical, spooky imagery, particularly the desert landscapes, and the quirky performances -- not surprising, given that the film was reportedly shot without a full screenplay and inspired by Altman's own dreams. ~ Judd Blaise, All Movie Guide
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CinemaRianCinemaRian 3 Women (1977, USA, Robert Altm ...
by CinemaRian in CinemaRian Blog
hasn't rated it.
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"Why aren't all Altman films like this? So many of the director's most respected films (M*A*S*H, Nashville, Secret Honor) are simplistic in their message and ugly in style. Then he makes 3 Women, one of the best films of the 70's, and it rates barely above a cult film. The key to understanding the film is that it was inspired by a dream that Altman had while his wife was in clinging to life at the hospital. He dreamed the title, the lead actors, and the general tone, and that is the only way to understand the film- like a dream. It's appeal lies in its uniqueness, which also makes it hard to describe. It's kind of like a combintion of Persona and Picnic at Hanging Rock, but a lot more. It's also the kind of movie that you want to know the absoulte miniumum about walking in. This is one of the first films in a long time where I did not know what was going to happen. The film starts at a retreat for the elderly, where a young woman named Pinky (Sissy Spacek) has just started ... " [More]
chesterfilmschesterfilms Pool Party?
by chesterfilms in chesterfilms Blog
loved it.
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"Great performances from Shelley Duvall & Sissy Spacek. Not a horror film, or suspense, but very creepy. Excellent music, and a very surreal vibe to the whole picture, especially for an Altman film. " [More]
HairyLimeHairyLime M*A*S*H
by HairyLime in HairyLime Blog
loved it.
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"In a discussion group recently the topic of 'book adaptations' has been brought up, and while I was watching this last night it occurred to me that this one is another good example of a successful 'book to movie' transformation that is neither too literal of a rote retelling, and stands on its own as a film.Caught the final third of this one a couple weekends ago while flipping channels, and then watched the rest of the movie yesterday evening. Not the first time I'd seen it (I've actually lost count how many times), and it struck me how very fresh and innovative it still seems 30 plus years after the fact. There wasn't really anything like it seen before, with its overlapping dialog, meandering storyline and counter-cultural viewpoints.Those brought up on the television series may find the flavor a little hard to digest, no neatly tied up plotlines, no laugh track, a subtler brand of humor.Gould and Sutherland are a great pairing, and would go on to cos ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Few filmmakers short of Luis Buñuel have made better onscreen use of dreams than Robert Altman, and 3 Women is the film in which he most successfully (and disturbingly) captured the hazy logic and off-kilter visual perspectives of the unconscious state. Shelley Duvall delivered the best work of her career as a woman so shallow that it never occurs to her that people are laughing at her behind her back, and Sissy Spacek is brilliant as Pinky, the naive girl who worships her; their emotional give and take as they begin to exchange personalities exemplifies the kind of risky but satisfying performances that Altman knows how to draw from actors. Gerald Busby's quietly troubling, discordant score and Bodhi Wind's surreal artwork are singularly appropriate aural and visual backdrops, while Charles Rosher Jr.'s cinematography layers the images in intoxicating washes of yellow and blue. While Altman has made a career out of endings that don't spell themselves out, the conclusion of 3 Women is both vague and provocative -- have we witnessed the aftermath of a tragedy, a descent into insanity, or a quiet but defiant call to arms? Altman isn't telling, but one can read 3 Women in a number of ways and still walk away convinced that it's a work of singular vision and emotional power from one of the most gifted American filmmakers of his generation. ~ Mark Deming, All Movie Guide
 



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