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Cry-Baby
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Directed by John Waters.
John Waters does a quirky spin on '50s nostalgia in Cry-Baby, his musical homage to Rebel Without a Cause and Romeo and Juliet. Set in Baltimore in 1954 at the birth of rock & roll, the film features Johnny Depp as Wade "Cry-Baby" Walker. Depp is pure charisma as a juvenile delinquent with a permanent tear slithering down his cheek, a reminder of his state-executed parents. In the depths of his despair appears goody-goody girl Allison (Amy Locane), who has a sexual crush on Cry-Baby. But Allison's Pat Boone-like boyfriend, Baldwin (Stephen E. Miller), the leader of the squares, is dead set against Cry-Baby and the rest of the juvenile delinquents and leads a revolt against them. In the resultant riot, the juvenile delinquents are blamed for the chaos, and Cry-Baby finds himself dispatched to reform school. ~ Paul Brenner, All Movie Guide
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Go-ApeGo-Ape Love it or hate it
by Go-Ape in Go-Ape Blog
loved it.
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"I would say that this film is one that you'll either love or hate. I haved forced practically every friend and relative to watch it now and everybody seems inclined to one or the other.I personally love it, I thought it was really funny, well written, well acted and pretty much managed to tick all the boxes. This is one of only a few films that I can never tire of, I must have seen it at least 30 times and even now, I have a strong desire to watch it again. It's got an amazing soundtrack that will be stuck in your head for days, whether you liked the film or not. It's a film that I would definitely advise giving a go as you'll either love it or hate, but theres only one way to find out " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
If the word "mainstream" can even be used in the same sentence with his name, then this slyly funny, high-camp comedy from director John Waters is the Baltimore filmmaker's most mainstream cinematic effort. A zippy film performed with ardor by a talented cast, it's both a spoof of and an homage to the juvenile delinquent dramas of the 1950s that Waters clearly loves. While high on kitsch value and irony, Cry-Baby fails to keep the laughs coming or develop characters sufficiently, so that its energy flags by the conclusion. Waters and the type of film he's gently mocking are acquired tastes, but those with a predilection for both will be delighted by Cry-Baby. ~ Karl Williams, All Movie Guide
 



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