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Cries and Whispers
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Directed by Ingmar Bergman.
Cries and Whispers stars Liv Ullman and Ingrid Thulin as the sisters of dying cancer patient Harriet Andersson. Both sisters have already had brushes with death: Ullman has had an affair which prompted her husband's suicide, while Thulin has long wanted to do away with herself, at one point mutilating her own vagina out of self-hatred. As for Andersson, she has been in pain so long that she feels as though she's in the midst of death-in-life. With her two sisters wrapped up in their own problems, Harriet turns to her housekeeper Kari Sylwan for comfort; Sylwan has herself suffered the death of a child, and has developed a philosophical attitude towards impending doom. One of the most influential moments of the film -- when two of the sisters share the innermost thoughts that they'd kept from one another for so many years -- is filmed without benefit of dialogue, with the music of Chopin (enhanced by cinematographer Sven Nykvist's carefully selected camera angles) "speaking" for the ladies. While Cries and Whispers only won the Oscar for cinematography, the film did very well for itself in international awards contests. ~ Hal Erickson, All Movie Guide
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joem18bjoem18b Re: Most disturbing, discomfort ...
by joem18b in HORROR MOVIES 101
hasn't rated it.
"Not to go all classical on you, but when Bergman died, I was thinking about his movies, and I hope I never see anything more disturbing than the deathbed scene in Cries and Whispers, which was a lot like something I went through once. " [More]
chesterfilmschesterfilms Red For Danger
by chesterfilms in chesterfilms Blog
loved it.
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"Cries and Whispers is one of the best looking films I have ever seen. Sven Nykvist 's photography reminded me of Caravaggio. Absolutely stunning, but this film is so full of pain. Emotional and physical pain (the self mutilation scene is unbelievable). Bergman plays on that pain with the color from the red walls, red floors, and even red furniture. He even starts out each woman's story with red color. This is one of Bergman's best films. " [More]
blakngoldblakngold Color in film
by blakngold in Graphic Desire
loved it.
"On the list by gothere of what films use color symbolically, I would like to add a few more important ones. They are Ingmar Bergman's Cries and Whispers, which he uses red on the walls and floors of the house to symbolize the inner pain of the dying woman. The other film is Ozu's color version film Floating Weeds were he uses all kinds of seemingly insignificant objects to symbolize all kinds of emotion. If someone can think of any other ones, go right ahead because color has been used as symbolism for some time now, like in the more recent film Amelie. Color is very important and can create so many emotions within a film without the viewer ever being aware of it's impact. So look back on the films that had some effect on you and try to picture in your mind if they used certain colors to perhaps create a particular atmosphere or just watch those films again, but from a new perspective. " [More]
Review by All Movie Guide
All Movie Guide
loved it.
Ingmar Bergman's Cries and Whispers (Viskningar Och Rop) finds the director exploring many of the same themes as his landmark Persona (1966). A study of three sisters and the "tissue of lies" between them, the film once again measures the tremors caused by long-buried secrets, dreams, and resentments. Not one gesture rings false, particularly in the distant-but-sympathetic performance of Bergman's longtime collaborator (and companion) Liv Ullmann, cast against type as the acidic Maria. Though obviously influenced by Chekhov and Tolstoy, Bergman makes the material his own, disrupting the script's Gothic facade with shocking, distinctly modern feelings and incidents: despite the Freudian and Jungian interpretations that can be made of individual scenes, Cries never substitutes abstract theory for character development. Cinematographer Sven Nykvist keeps the proceedings from becoming an inert chamber play; his expressionistic use of color -- punctuated by the fades to red between sequences -- is unlike anything previously seen in Bergman's work. Cries and Whispers became one of the only foreign-language films ever nominated for an Oscar as Best Picture, and Bergman received his first nomination as Best Director, cementing (if tardily) his status as the leading foreign art-movie director. ~ Michael Hastings, All Movie Guide
 



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