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Cover Girl
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Directed by Charles Vidor.
Thanks to its Jerome Kern/Ira Gershwin/Yip Harburg score and the luminescence of stars Rita Hayworth and Gene Kelly, Cover Girl has taken on a legendary status in recent years. In truth, the film has a banal and predictable premise: a chorus girl (Hayworth) is given a chance for stardom by a wealthy magazine editor (Otto Kruger), who years earlier had been in love with the girl's mother. Offered an opportunity to be a highly-paid cover girl, our heroine would faithfully remain with her tacky nightclub act if only the club manager (Kelly), whom she secretly loves, would ask her. He secretly loves her too, but doesn't want to stand in her way, so he fakes an argument to send her packing. You don't need a crystal ball to known that the girl and her guy will be reunited for the finale. Phil Silvers, everybody's best friend, and Eve Arden, Kruger's acid-tongued assistant, provide comic relief. The story sags badly at times, but the fans went home happy thanks to the powerhouse musical numbers, including Long Ago and Far Away and Kelly's famous "alter-ego" dance. The film skyrocketed both Hayworth and Kelly to superstardom, and didn't do Silvers any harm, either. Cover Girl is an extraordinarily lavish Technicolor production from the usually parsimonious Columbia Pictures. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Gene Kelly had been a presence in films for a couple of years, but it wasn't until MGM loaned him out to Columbia for Cover Girl that he first made his mark. Rita Hayworth is definitely (and deservedly) the star of the film, but Kelly more than holds his own with her. There's a wonderful chemistry between them, the kind of hesitant give-and-take of two people in love but who haven't yet learned to trust themselves enough to be totally honest. Hayworth looks smashing, costumed to the teeth in an array of fabulous outfits and given lavish productions for her numbers. (The title number in particular is given a stunning production.) She also acts her role very affectingly, believing in the somewhat clichéd situations, and her dancing is stupendous. Kelly, looking very boyish, sounds great and displays his first real choreographic sparks during the famous "Alter Ego" sequence. The score is first rate; the beautiful "Long Ago and Far Away" is justifiably a highlight, but there are great pleasures as well in the more obscure "The Show Must Go On," "Sure Thing" and "Make Way for Tomorrow." Phil Silvers and Eve Arden supply dependable comic relief, and Charles Vidor's direction is sure. Too slight to be a bona fide classic, Cover Girl still holds abundant delights. ~ Craig Butler, All Movie Guide
 



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