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Raw Deal
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Directed by Anthony Mann.
Violent and viscerally sexual, Anthony Mann's muscular low-budget noir tells the tale of a framed gangster's quest for vengeance after he busts out of prison. Once freed, gangster Joe Sullivan Dennis O'Keefe) and his girl friend Pat (Claier Trevor) set off to find the mobster who set him up. The kidnapping of Ann Martin (Marsha Hunt), the social worker who wrote to Joe in prison, leads the fugitive into a romantic triangle of death, passion and tragedy. ~ Sandra Brennan, All Movie Guide
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theunemployedshortstoptheunemployedshortstop Re:A new pack of RESERVOIR DOGS ...
by theunemployedshortstop in Filmgaming
is neutral about it.
"The Epic Tale of "The Wolves of Gomorrah Gorge." The Conceit: Due to a trans-dimensional rift caused by the AWESOMENESS of the Inglorious Bastards screenplay Quentin Tarantino is able to jump into a dimension where the world is perpetually in the early fifties. The impish auteur (also great collaborator) is eager to see what some of his favorite directors and writers would do with his material. He gives a vague outline of Reservoir Dogs to Carl Foreman. Bitter over the HUAC hearings of 1947, Forman takes the idea of the mole cop and turns it into a commentary on witch hunting (like the Crucible set in the American West… with action and no weeping, whining, or three hour yawn-fest… just kidding). Production: The studio loved the concept and saw Anthony Mann as the director. His surprising presentation of the morally grey double agents in T – Men and his success as a visual director of both noir and westerns would yield a fantastic visual motif. Forema ... " [More]
JymkataJymkata Re: Top 5 Actresses in Classic ...
by Jymkata in Top 5
liked it.
"I think she had a very natural and charasmatic sexy quality about her and she was very diverse in her acting (noir, It's a Wonderful Life, Oklahoma, etc...) not just limited to the noir genre. Her voice, her face, her height and frame all add up to a an attractive, egnimatic figure that acts like a magnet in any film I see her in.I couldn't believe the difference in Clare Trevor's performance in Raw Deal compared to her other portrayals in other noirs and westerns. She was so dressed down and mean - it was quite a performance. " [More]
JimBellJimBell Raw Deal
by JimBell in JimBell Blog
liked it.
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"Raw Deal (1948) is a film noir that almost works. If you are going to watch it, or have watched it, you were probably drawn to the film by the famous pair of Anthony Mann (director) and John Alton (cinematographer), or possibly because of the stars such as Claire Trevor (“Queen of Film Noir”) or Raymond Burr (in an early role). The basic test, however, is whether the film works as a whole. Although Raw Deal has many good features, it does not pack the punch that it could or should. The two intertwining plots—a jail break and a love triangle—are handled deftly. Twists and turns and suspense are constant. Will the break succeed? What will Sullivan (Dennis O’Keefe) and his “partner” Pat (Claire Trevor) do when the get-away car dies? Will the police nab them when the do-gooder social worker, Ann (Marsha Hunt), secretly calls the cops when Sullivan and Pat turn to her as the only hideout they can think of? When the three take off in her car, how ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
A noir with several, clever scenes, some fine cinematography and no shortage of violence, Raw Deal is a better than average, crime story, but it lacks plausibility at times, and telegraphs its upcoming twists. Noir genius John Alton handles the camera here and deftly cloaks the whole film in shadows. As the film opens, Joe Sullivan (Dennis O'Keefe) is visited by both Pat (Claire Trevor) and Ann Martin (Marsha Hunt) in prison. This scene sparkles with some smart dialogue and is a nice warm-up to the love triangle that follows. The gangsters in Raw Deal are pretty mean with Raymond Burr leading the pack as he scalds a party girl with his birthday flambeé. One problem with Raw Deal is the lack of believable chemistry between Joe and Ann. She likes Joe, but quickly changes her mind and attempts to call the police after he breaks out of prison. Not long after, she declares her love for him again after shooting the man who's attempted to kill him. Why Joe so prefers Ann to his longtime girlfriend Pat is also not made clear. On the screen, Joe and Ann don't seem to have much in common and the attraction seems vague at best. Though, otherwise, this is an entertaining, if not terribly artful noir, with Alton's camerawork standing out more than Anthony Mann's direction. ~ Adam Bregman, All Movie Guide
 

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