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The Cook, the Thief, His Wife and Her Lover
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Directed by Peter Greenaway.
This is probably Peter Greenaway's most famous (or infamous) film, which first shocked audiences at the 1989 Cannes Film Festival and then on both sides of the Atlantic. A gang leader (Michael Gambon), accompanied by his wife (Helen Mirren) and his associates, entertains himself every night in a fancy French restaurant that he has recently bought. Having tired of her sadistic, boorish husband, the wife finds herself a lover (Alan Howard) and makes love to him in the restaurant's coziest places with the silent permission of the cook (Richard Bohringer). Though less cerebral than Greenaway's other films, featuring deadly passions reminiscent of Jacobean revenge tragedies of the early 17th century, the picture still offers the director's usual ironic and paradoxical comments on the relations between eating and sex, love and death. The film is at once funny and horrific, and those who are not used to Greenaway's peculiar style might be even disgusted or shocked; however, one might mention Sacha Vierny's brilliant camerawork, Jean-Paul Gaultier's gaudily stylized costumes, and Michael Nyman's somber, pulsating music, which will haunt the viewer long after the film's end. ~ Yuri German, All Movie Guide
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DiedoDiedo Re:Pick a Pair
by Diedo in Movie Games
loved it.
"Or how about, Dances with Wolves (1990) and Farewell to the King (1989) where Kevin Costner and Nick Nolte are mesmerized by the local American-Indian/Borneo people, become one of them and finally are forced to face-off against the modern world encroaching upon these non-industrialized societies. A more obvious movie would be The Last Samurai (2003) as it was readily compared to Dances with Wolves when it came out. Or, The Gods Must Be Crazy (1981) and The Emerald Forest (1985) where native peoples of the Kalahari desert/Amazon rainforest come into contact with the encroaching industrialized world forcing one of them to confront it. They're very different in tone though, so the first one (The Gods...) could be paired with Crocodile Dundee (1986) as "guy who visits Western world and thinks everything is weird and hilarious", while the latter (Emerald Forest) could be seen with Greystoke: The Legend of Tarzan, Lord of the Apes (1984) as "Western world boy raised by indigenous people/ ... " [More]
RisseladaRisselada Re:Weekly Theme for July 7: Foo ...
by Risselada in Weekly Theme
liked it.
"[quote user="leeroy711"] Has anyone seen this one? It seems intrigueing but I'm not sure. [/quote] Yeah I've seen it. I was interested to see it since I loved Peter Greenaway's A Zed and Two Noughts. Although this one wasn't quite as inspired in my opinion. Michael Gambon is really something else. He actually gave the greatest performance I ever saw in a live performance of Harold Pinter's The Caretaker. " [More]
leeroy711leeroy711 Re:Weekly Theme for July 7: Foo ...
by leeroy711 in Weekly Theme
hasn't rated it.
"[quote user="unclefestering"] [quote user="leeroy711"] Has anyone seen this one? It seems intrigueing but I'm not sure. [/quote] It is a great and disturbing movie. If you liked Delicatessen (1991), you would probably go for this. They are very different, but share the same sensibility. The use of color palettes in the Cook, the Thief... is amazing. Another movie that every foodie should check out is Tom Jones. There is only one scene, but it is the funniest, lustiest dinner on film. [/quote] Sweeeeeeeeet, Delicatessen has made the discussion two weeks in a row. I should just have next week's theme be French cannibals. Yumm " [More]
unclefesteringunclefestering Re:Weekly Theme for July 7: Foo ...
by unclefestering in Weekly Theme
hasn't rated it.
"[quote user="leeroy711"] Has anyone seen this one? It seems intrigueing but I'm not sure. [/quote] It is a great and disturbing movie. If you liked Delicatessen (1991), you would probably go for this. They are very different, but share the same sensibility. The use of color palettes in the Cook, the Thief... is amazing. Another movie that every foodie should check out is Tom Jones. There is only one scene, but it is the funniest, lustiest dinner on film. " [More]
leeroy711leeroy711 Re:Weekly Theme for July 7: Foo ...
by leeroy711 in Weekly Theme
hasn't rated it.
"Has anyone seen this one? It seems intrigueing but I'm not sure. " [More]
divinemsjunebugdivinemsjunebug Disturbing but Visually Beautiful
by divinemsjunebug in divinemsjunebug Blog
liked it.
Was this review helpful? [Be the first to tell us!]
"This movie was very artsy, very interesting and very uncomfortable at times. One thing that really started getting on my nerves was that little boy soprano, whew, that was a little intense. BUT the story was great although very sad, it held your attention even when it was a bit slow at times. The one thing I really loved about this movie was how visual it was. It's just a beautiful, hopeful, heartwrenching, bizarre, tragic, mind blowing movie. This is a film to watch when you aren't feeling really depressed or really hungry and especially if you have a sick stomach... " [More]
odileodile Re:Re: Films that deserve the C ...
by odile in Criterion Collection
hasn't rated it.
"How about some of the films of Peter Greenaway? Apparently there's a dvd out there for The Cook, The Thief, His Wife and Her Lover, but just take a look at what it's going for on Amazon.com . " [More]
RisseladaRisselada Re: Help to find a missing film
by Risselada in missing a film
liked it.
"Yeah, I've seen it, and it's on Spout. And here's the link.I've only seen one other Greenaway movie, A Zed & Two Naughts, and I liked it better. It seemed to tie in so many different themes so amazingly. " [More]
JymkataJymkata Re: Favorites
by Jymkata in British Invasion
liked it.
"My UK Favorites:I'm not sure if you're only looking for movies set in the UK (with stiff upper lips & veddy,veddy Brittish accents), but these are my favorite productions made in the UKTelevision: The Office, The Singing Detective, Yes, Minister, Tinker, Tailor, Soldier, Spy, and Smiley's PeopleI'm All Right JackBrazilThe Bridge on the River KwaiThe Red ShoesA Matter of Life and Death (Stairway to Heaven)Layer CakeBloody SundayEnigmaThe General (Boorman)The Cook, the Thief, his Wife, and her LoverThe Draughtman's ContractThe Killing FieldsThe Great Train RobberySleuthBedazzled (1967)The HillThe Spy who Came in From The ColdGoldfingerThe Masque of the Red DeathZuluThe HauntingLawrence of ArabiaThe InnocentsThe LadykillersThe Importance of Being EarnestThe Lavender Hill MobThe Browning VersionOdd Man OutThe Third ManBlack NarcissusThe Life and Death of Colonel BlimpThe 39 StepsStage Fright " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Filmmaker Peter Greenaway's most notorious film in a career marked by audacity, The Cook, the Thief, His Wife and Her Lover includes scenes of intense and shocking brutality and humiliation, fevered sexual encounters, and a final act of forced cannibalism. But what is most striking about the film is its visual style. Shot by the late, legendary Sacha Vierny in glorious widescreen compositions (this is a film that demands to be seen on video in a letterboxed edition), The Cook often unfolds like a medieval tapestry, as Vierny's camera tracks from one room of the restaurant, where most of the story takes place, to another. The characters are more types than flesh-and-blood people, as the title suggests. Michael Gambon gets to have the most fun out of his Thief, bellowing and flailing about. As in many other Greenaway films, the actors serve merely as game pieces to be moved about on a brilliantly designed board, but here, Greenaway offers a more linear story about the ways good people accommodate evil. If nothing else, The Cook is his most accessible film -- albeit for those with strong stomachs. ~ Tom Wiener, All Movie Guide
 



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