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The Conversation
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Made between The Godfather (1972) and The Godfather Part II (1974), and in part an homage to Michelangelo Antonioni's art-movie classic Blow-Up (1966), The Conversation was a return to small-scale art films for Francis Ford Coppola. Sound surveillance expert Harry Caul (Gene Hackman) is hired to track a young couple (Cindy Williams and Frederic Forrest), taping their conversation as they walk through San Francisco's crowded Union Square. Knowing full well how technology can invade privacy, Harry obsessively keeps to himself, separating business from his personal life, even refusing to discuss what he does or where he lives with his girlfriend, Amy (Teri Garr). Harry's work starts to trouble him, however, as he comes to believe that the conversation he pieced together reveals a plot by the mysterious corporate "Director" who hired him to murder the couple. After he allows himself to be seduced by a call girl, who then steals the tapes, Harry is all the more convinced that a killing will occur, and he can no longer separate his job from his conscience. Coppola, cinematographer Bill Butler, and Oscar-nominated sound editor Walter Murch convey the narrative through Harry's aural and visual experience, beginning with the slow opening zoom of Union Square accompanied by the alternately muddled and clear sound of the couple's conversation caught by Harry's microphones. The Godfather Part II and The Conversation earned Coppola a rare pair of Oscar nominations for Best Picture, as well as two nominations for Best Screenplay (The Godfather Part II won both). Praised by critics, The Conversation was not a popular hit, but it has since come to be seen as one of the artistic high points of the decade, as well as of Coppola's career. Its atmosphere of paranoia and suspicion, combined with its obsessive loner antihero, made it prototypical of the darker "American art movies" of the early '70s, as its audiotape storyline also made it seem eerily appropriate for the era of the Watergate scandal. ~ Lucia Bozzola, All Movie Guide
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KarinaKarina Conversation at AMC. Trade Roug ...
by Karina in Karina on SpoutBlog
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"Ostensibly looking to replicate the success of their existing, cinema-inspired period series, AMC is planning to spin a series off of Francis Ford Coppola’s 1974 film, The Conversation. The original is topical, says producer Erik Jendresen. “Watching The Conversation today is fascinating in light of the Patriot Act. But this is not a series that’s blatantly making a statement; it will still be very true to the original vision of the character.” Another day, another name for the Inglorious Bastards call sheet. This time it’s B.J. Novak from The Office. Meryl Streep will continue her midlife career resurgence as star of glossy chick coms by toplining the latest effort by Nancy Meyers. She’ll play a woman at the center of a love triangle with two men. Originally posted on:SpoutBlog » Karina Longworth " [More]
SpoutBlogSpoutBlog Conversation at AMC. Trade Roug ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"Ostensibly looking to replicate the success of their existing, cinema-inspired period series, AMC is planning to spin a series off of Francis Ford Coppola’s 1974 film, The Conversation. The original is topical, says producer Erik Jendresen. “Watching The Conversation today is fascinating in light of the Patriot Act. But this is not a series that’s blatantly making a statement; it will still be very true to the original vision of the character.” Another day, another name for the Inglorious Bastards call sheet. This time it’s B.J. Novak from The Office. Meryl Streep will continue her midlife career resurgence as star of glossy chick coms by toplining the latest effort by Nancy Meyers. She’ll play a woman at the center of a love triangle with two men. Originally posted on:SpoutBlog " [More]
SpoutBlogSpoutBlog 5 Best Directorial Sellouts of ...
by SpoutBlog in SpoutBlog on spout.com
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"Yesterday, in response to David Gordon Green’s talent being (presumably) wasted on Pineapple Express, I brought you my picks for the 5 worst directorial sellouts of all time (or, as I should have titled it, 5 Worst Attempts at Mainstream Success). And now, as promised, are my picks for the best, because occasionally a great filmmaker can take a seemingly sellout gig and deliver a masterpiece. (tie) The Godfather (1972) and The Godfather Part II (1974) - Everyone should know that Francis Ford Coppola didn’t want to make the first Godfather film. He wanted to make smaller movies, such as The Conversation, which he was able to make at Paramount only because he directed The Godfather and The Godfather Part II. I prefer the film he wanted to make, but there is no denying his first two Godfather films were worth Coppola’s time and, more importantly, ours. (more…) Originally posted on:SpoutBlog " [More]
minerwerksminerwerks Not-So-Great 'Gatsby'
by minerwerks in minerwerks Blog
liked it.
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"I first considered myself at a disadvantage to comment upon a filmed version of 'The Great Gatsby,' being that I hadn't read the book for years, and even then, I really wasn't old or experienced enough to really appreciate it. But this is instead the best way to approach a film adaptation of a novel - if you have no prejudices based on another incarnation, you can be free to interpret the material fresh.I last saw the 1974 film version of 'The Great Gatsby' at the same time I read the novel - roughly 15 years ago when I was in high school. At that time, I can't remember the film making much impression on me, other than seeing a parallel to the character Robert Redford played in 'Indecent Proposal.' Today, it's hard to believe this film came out in the midst one of Hollywood's greatest periods. I was surprised to see Francis Ford Coppola credited as the screenwriter. This film was released, in fact, the same year that Coppola's masterp ... " [More]
Review by All Movie Guide
All Movie Guide
loved it.
Though it was commercially lost in the shuffle between The Godfather and The Godfather Part II, The Conversation ranks among the finest films of Francis Ford Coppola's career. Drawn on a more intimate canvas than the Godfather epics or Apocalypse Now, it's a compelling and expertly constructed chamber piece about the nature of privacy and the troubling gray area between facts and truth; it was also remarkably prescient, coming out just as the Watergate scandal was making surveillance a major issue in the American consciousness. Gene Hackman delivers a typically expert performance as Harry Caul, who makes his living finding out what others are doing. As a consequence, Caul has become an obsessively private man haunted by guilt and incapable of trusting anyone, and Hackman and Coppola mold him into an indelible character whose moral and professional sides are at constant war. Coppola also used his soundtrack with uncommon intelligence; in a decade in which the attention paid to film sound would increase by leaps and bounds, The Conversation was a breakthrough in using its soundtrack not just to convey dialogue and music but to deepen the story, as well as providing the ultimate screen example of the adage, "It's not what you say, it's how you say it." The Conversation is a subtle film that best reveals its details through repeat viewings, though even on a first viewing it's a brilliant cautionary tale whose message has become all the more potent with the passage of time and the further rise of technology. ~ Mark Deming, All Movie Guide
 



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