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Closet Land
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Directed by Radha Bharadwaj.
Indian-born, American-educated director Radha Bharadwaj based her allegorical thriller on the work of her husband with Amnesty International. The story concerns The Woman (Madeleine Stowe), a children's book writer who, in an unspecified country, is abducted from her bed in the middle of the night and imprisoned for writing subversive literature. She declares her books to be pure fantasies, but her well-dressed inquisitor The Man (Alan Rickman) sees the books as allegorical attacks on the State. In the form of a long dialogue between The Man and The Woman, The Man, through psychological and physical torture, attempts to get The Woman to confess. But The Woman endures, refusing to buckle under to The Man's relentless interrogation. ~ Paul Brenner, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
There are a handful of famous torture sequences in movies: Laurence Olivier performing unwanted dental work on Dustin Hoffman in Marathon Man, Michael Madsen mutilating the cop in Reservoir Dogs, and Mel Gibson on the rack at the end of Braveheart, to name just three. Closet Land is unique because it takes torture as its entire setting. Unremittingly bleak and oppressive, Radha Bharadwaj's film assaults the senses and the mind. Shot on a single, sparse set in a style that recalls German Expressionism, there is nothing to divert one's attention from the horrific interrogation. The most atrocious acts of physical violence occur off-screen, although the screams and sobs that result from them are quite audible. Torture is the milieu, but not the theme of the film. The lighting, art direction, and the fact that the only two characters are nameless all underscore the fact that Closet Land is an allegory for oppression anywhere. This is a remarkably unpleasant film to endure, which is the point -- the filmmakers harrowingly communicate that all oppression and torture are horrific. The biggest complaint that can be levied toward the film is that the audience knew this before they entered the theater. The ambiguous ending is similar to Brazil, allowing viewers to decide for themselves if retreating into the mind is escape or defeat. ~ Perry Seibert, All Movie Guide
 

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