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City of Hope
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Directed by John Sayles.
A city pulses with racial problems, political corruption, and small-time crime in this ambitious microcosm of urban life, written and directed by John Sayles. Nick Rinaldi (Vincent Spano), a lost soul usually high on drink and drugs, has spent his life in one New Jersey city, getting free rides from his connected father (Tony LoBianco) and hearing the locals talk of his brother's death in Vietnam. Searching for more control, Nick quits the cushy contractor's job provided by his Dad, feeling that major events are about to happen to him. That feeling proves accurate -- by film's end his life will change, as will the lives of many others. Nick is only the center of the movie's sprawling collection of people and plotlines; Sayles takes full advantage of this expansive landscape, as he often begins shooting one conversation, only to pull back and eavesdrop on another, in one smooth, intriguing shot. By listening in, we slowly learn about the citizens and their dilemmas, as the city's woes bubble to a narrative climax. Many of Sayles' regular players are on-screen (the movie features 52 roles), including Joe Morton as a frustrated councilman and David Strathairn as a disturbed street person. ~ Norm Schrager, All Movie Guide
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HairyLimeHairyLime The Brother From Another Planet
by HairyLime in HairyLime Blog
loved it.
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"Early John Sayles film that I saw once years and years ago, and then revisited again recently. It still holds up pretty well. Joe Morton gives an outstanding understated performance without uttering a sound, and the endless parade of oddball characters he comes into contact with throughout the movie are wonderful little set pieces, expecially the regulars at the bar where a lot of the action takes place. As usual with Sayles, he can say much more on a limited buget than movies three times the size. The drug message is a little heavy handed, and the ending is a bit confusing and abrupt (is he saying something here about the Black experience of being displaced, about the ideas of where you are FROM versus where you ARE?) - Like I've said before, ambiguous endings keep me coming back.It says a lot for Sayles that he can manage to keep bringing back the same stable of talented actors to work with him again and again, and you will notice a lot of familiar faces from his other films ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
In City of Hope, John Sayles thrusts the audience right into a drama playing out in their own backyard. And what a crowded backyard it is. The mythical city in turmoil is populated with more than a banana bunch of characters. Like Robert Altman, the main American purveyor of ensemble filming, Sayles manages to keep his balls in the air with remarkable acumen. He switches conversations and viewpoints so often that it's remarkable that a story finds its way through, unlike Richard Linklater's gimmicky Slacker from the same year. The film sometimes strays a little too close to a soap opera for a writer of Sayles' ability, but the quality cast keeps everything human and all of the players individualized. Joe Morton and David Strathairn, two of Sayles' regulars and two of America's most underrated actors, stand out, as does Vincent Spano. The scenes between Spano and Tony Lo Bianco (his father) and Barbara Williams his love interest) are worth the price of admission. Sayles, a true American auteur, once again writes, directs, edits, and has a role in the film. ~ Brendon Hanley, All Movie Guide
 



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HairyLime
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