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How to Steal a Million
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Directed by William Wyler.
In this elegant "caper" film, Audrey Hepburn stars as the daughter of a wealthy Parisian (Hugh Griffith), whose hobby is copying famous works of art. His replica of a famed Cellini sculpture is inadvertently displayed in an art museum, and he begins to worry that he'll lose his reputation once the experts evaluate the statuette. Audrey decides to rob the museum, and hires a burglar (Peter O'Toole) for that purpose. But the burglar is really a detective, who has every intention of arresting Audrey and her father when the deed is done. All style and little substance, How to Steal a Million is consummately acted by the stars, but the film is stolen hands-down by a "double take" reaction from French comic actor Moustache. The film was originally titled How to Steal a Million Dollars and Live Happily Ever After, which gave the whole game away and thus was pared down before release. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Heist caper comedies are a special breed, and while How to Steal a Million is certainly not the finest of them, it may very well feature the most engaging star coupling. Certainly Million needs the star wattage that Audrey Hepburn and Peter O'Toole provide in abundance, for left to its own devices it would be significantly less enthralling. The biggest problem is that the film is a good 20 minutes too long and that it takes far too long to get to the heart of the story; the entire subplot with Eli Wallach could have been excised from the screenplay and the little that was lost would have been made up for by a film that moved along at a brighter pace. Part of the blame rests with director William Wyler, whose work here is certainly good but is also clearly not his best; a stronger hand on the helm was needed to trim the completed picture. Still, this matters little once the film actually starts concentrating on the scheme, and its far better for the film to drag too much at the beginning than at the end. Besides, as long as Hepburn and O'Toole are around, no one needs to pay too much attention to the fluffy script. They're such incredibly beautiful people and have such unmatched charisma, both separately and together, that we're quite ready to forget what they're saying and just listen to the way they say it and how they look when they're saying it. It doesn't hurt that Hugh Griffith is also on hand to turn in a marvelous supporting performance, and it really doesn't hurt that Hepburn gets to waltz around in a number of stunning Givenchy outfits. Million is not a great film, but it's a perfectly charming way to waste a couple of hours. ~ Craig Butler, All Movie Guide
 



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