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A Chorus Line
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Broadway's celebratory musical about rejection makes it to the screen in a fizzless adaptation by Richard Attenborough that misses the whole point of the Broadway show -- i.e. the dancing and the dancers. Instead, the dancers become a limp Greek chorus for the dead love affair between a choreographer, Zach (a pre-Gordon Gekko Michael Douglas) and his old flame, Cassie (Alyson Reed) the star dancer. Zach is holding try-outs for a new Broadway musical and, as armies of dancers are brought on stage to audition for Zach, he sits in the darkened recesses of the theater, puffing on a cigarette, as he winnows out hopeful dancers who want to become part of the chorus line for Zach's new show. Finally, Zach has reduced the dancers to 16 men and women, and he asks each of them to step to the footlights and tell him about their lives and their dreams. But backstage, while the dancers are confessing their pasts to Zach, Zach's past walks through the stage door. Cassie, Zach's ex-lover, whom Zach met, courted and broke up with in the theatrical environs, has returned. Once a big star, Cassie has returned to the theater -- not to see Zach but to audition for Zach's musical. She needs the work. ~ Paul Brenner, All Movie Guide
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RCMRCM Didn't live up to the play
by RCM in RCM Blog
disliked it.
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"My mother took me to go see this at the Fox Theatre and I fell in love with it (I adore musicals anyway), the music, the plot, the humor, everything was great. That christmas my mother also bought me the DVD. This was the biggest disapointment of my life. The movie followed the play, but it left out so much of the great parts. Most of the awesome songs were replaced by one song about sex. What a waste of good writing. I personally woldn't bother watching this and go see the play itself, its well worth it. " [More]
jlgdrdjlgdrd Irwin's Wee Winkler: De-Lovely
by jlgdrd in Wicked Fun
hasn't rated it.
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"What can I tell you about De-Lovely, Irwin Winkler's musical biopic on the life of Cole Porter? It's disappointing, but not overwhelmingly so. It's engaging and more than pleasurable enough to warrant your time and the cost of a ticket. When it clicks, it's amazing. When it falters, the result isn't fatal. It takes a lot of risks, which more often than not succeed to great effect. There are times when the set pieces, acting, dialogue, lighting almost melt as the film combines it with Porter's wistful, ruminating music and you can feel the flood of emotion surpassing contextual detail. Borrowing from other films, such as Pennies from Heaven, A Chorus Line, and especially All That Jazz, De-Lovely's music spills over into reality. Performance as artifice is deconstructed. Kevin Kline (as Porter) and Ashley Judd (Porter's wife Linda) are inspired casting choices. Kline can seem self-absorbed without being dull. His desire to be liked makes us forget his compulsive need for attention. H ... " [More]
 



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