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The Greeks Had a Word for Them
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Directed by Lowell Sherman
Zoë Akins' archetypal "gold-digger" stage comedy The Greeks Had a Word for It was transferred to the screen in 1933, with the "It" changed to "Them" in the title, reportedly at the insistence of over-cautious producer Sam Goldwyn (this became a moot point in the 1940s, when the film was reissued as Three Broadway Girls). Ina Claire, Madge Evans, and Joan Blondell star as ex-showgirls Jean, Polaire, and Schatze, who pool their resources to rent a luxurious penthouse apartment. Their strategy is as follows: if they live like millionaires, dress like millionaires and act like millionaires, they'll be able to attract wealthy boyfriends. The original play ended with all three girls continuing their gold-digging activities unto eternity, while the film concludes with one of the three finding true love in the arms of Dey Emery (David Manners). The Greeks Had a Word for Them was later remade (and considerably rewritten) as How to Marry a Millionaire (1953), with Betty Grable, Marilyn Monroe, and Lauren Bacall. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Although The Greeks Had a Word for Them is hardly a classic (and was better realized when it was reinvented as How to Marry a Millionaire), it's an enjoyable little trifle, especially if one is in an undemanding mood. Sidney Howard's screenplay features enough amusing situations and fairly snappy dialogue (when one can make it out; this is till the early days of talkies, after all) to provide decent entertainment, and Lowell Sherman directs the proceedings efficiently if unremarkably. Much more important than the script or direction is the cast. Joan Blondell, less brassy and brash than usual, is a sweet but saucy little treat. Madge Evans manages to be a noble gold digger, making that odd combination work somehow. And Ina Claire is simply a hoot as the conniving man hunter whose selfishness should be appalling but is amusing instead. David Manners is a bit bland and annoying, but director Sherman gets actor Sherman to turn in a fine performance. The lack of morality in this pre-Code ditty is surprising and may bother some, but others will find it refreshing for a film of this era. ~ Craig Butler, All Movie Guide
 

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