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Children of the Corn
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Directed by Fritz Kiersch.
Narrator Job (Robby Kiger) relates the tale of Gatlin, NE, where one day the children, led by a boy preacher named Isaac (John Franklin), rose up and slaughtered all the grown-ups. A few years later, Job and his sister, Sarah (Ammemarie McEvoy), help their friend, Joseph (Jonas Marlowe), try to escape through the cornfields of Gatlin. Meanwhile, Burt Stanton (Peter Horton), a commitment-phobic young doctor, and Vicky Baxter (Linda Hamilton), his frustrated girlfriend, travel through the cornfield-lined roads of Nebraska on their way to Burt's new internship in Omaha. Their car hits Joseph, who appears out of nowhere, but upon examining him, Burt realizes the child's throat was slit before he ever wandered out from the corn. Attempting to locate help, Burt and Vicky turn to gas-station owner Diehl (R.G. Armstrong), who urges the couple to go anywhere but nearby Gatlin to report the murder. Several contradictory street signs later, they arrive in Gatlin anyway, and, befriending Sarah and Joseph, attempt to uncover the mystery behind Isaac's cult and its mysterious deity, known only as He Who Walks Behind the Rows. Stephen King cash-ins flooded the market between the successes of Brian DePalma's Carrie (1976) and Rob Reiner's Misery (1990), many of them, like Children of the Corn, based only loosely on the author's fiction. The original short story appeared in the collection Night Shift. ~ Brian J. Dillard, All Movie Guide
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JakeStevensJakeStevens Another Stephen King Film That ...
by JakeStevens in JakeStevens Blog
lost interest.
Was this review helpful? [Be the first to tell us!]
"There are moments when this film gets incredibly eerie, but the effects are so bad, and the ending worse, that I can't help but NOT like this film much at all. Surprisingly, the young actors are more effective than the adults, and John Franklin and Courtney Gains give especially good performances. It's the ending, really, that killed the film for me. What REALLY boggles my mind, though, is how this film warrents SEVERAL sequels! I wonder who thought that would be a good idea? " [More]
myrdynnmyrdynn Oh No, Not Another Stephen King ...
by myrdynn in HORROR MOVIES 101
is neutral about it.
"I put together a list of Stephen King movies and would appreciate any imput on any I have missed.I didn't add all the sequels to movies like Children of the Corn and Sometimes They Come Back, but any other omissions would be helpful. " [More]
superdrive0superdrive0 What the Heck?!
by superdrive0 in superdrive0 Blog
is neutral about it.
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"What was up with this film? I was really looking forward to watching this, since i've heard how good it is from everyone, but after watching it I was just like, "What?" It was really good until the ending. They didn't really explain anything about why the children were acting like that, and what was going on. And then the corn field was possesed or something? I totally didn't understand it at all. Did I just miss something? Can some one please explain to me what the heck was going on? " [More]
Review by All Movie Guide
All Movie Guide
lost interest.
Although by no means a horror classic, this low-budget Stephen King adaptation stands out from a crop of similar '80s slasher films by virtue of its scary premise, spooky music, inspired casting, and tightly plotted, if frequently hammy, script. Peter Horton and Linda Hamilton star, but it's the child actors who make the most indelible impressions. John Franklin has one of those faces that looks ancient before it even hits puberty, making him the perfect choice for pint-sized cult leader Isaac. Redheaded teen actor Courtney Gaines is even better as Malachi, Isaac's menacing, machete-wielding henchman. Robby Kiger and Annemarie McEvoy make convincing if occasionally cutesy young protagonists. And in one of the few adult roles, horror-Western veteran R.G. Armstrong plays a crusty gas station owner with campy aplomb. Despite a few unfortunate digressions into primitive-synthesizer mode, Jonathan Elias makes great use of a haunting children's choir in his deeply creepy score; the music works especially well during the clever title sequence, which tells the story of the titular children's rise to power in a series of sicko crayon drawings. Cheap special effects keep the climax from measuring up to the opening credits, but for the first two acts, director Fritz Kiersch relies on ambience and the mere suggestion of violence to exact maximum nail-biting intensity from the material. Kiersch does occasionally let the hoary dialogue get the best of his actors -- particularly Horton, whose character bizarrely attempts to argue morality with a group of bloodthirsty, parentally unsupervised young religious fanatics who are holding him at knifepoint in a derelict church. But several truly scary scenes and bits of dialogue -- "He wants you too, Malachi" being only the most quotable -- made this film a staple of suburban nightmares when it appeared on cable channels throughout the mid-'80s. ~ Brian J. Dillard, All Movie Guide
 



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