Four Eyed Monsters
Advertisement
Sign in
Username   Password         Forgot password?
Wanna join? Tour Spout | Sign up
Gaily, Gaily
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

Rent it, watch it, find it

Advertisement
Directed by Norman Jewison
Ben Hecht's reminiscences from his youth as a cub reporter in 1910 Chicago makes an uneasy transition to the screen in this Norman Jewison production. During the Galena, Illinois, Independence Day celebration of 1910, Ben Young (Beau Bridges) determines that it is time to seek his fortune and sets out by train to Chicago. Once in Chicago, Ben has his money stolen, and he faints from hunger. To his rescue comes Queen Lil (Melina Mecouri), a local madam, who takes him to her brothel, where he is allowed to stay on the top floor of the house. Queen Lil gets Ben a job on the Chicago Journal and he meets the gruff, but kind, editor Francis X. Sullivan (Brian Keith). Sullivan takes Ben on a drinking tour of the Tenderloin, where Ben's naiveté is given a good working-over as Ben experiences the political realities of the city. Ben decides to devote his life to reforming the shady politics of Chicago. Meanwhile, reform leader Axel P. Johanson (George Kennedy) is trying to obtain a ledger of civic corruption compiled by Honest Tim Grogan (Hume Cronyn). During a party for Grogan at Queen Lil's, Ben inspires friendly prostitute Adeline (Margot Kidder) to change her evil ways. Her first act as a reformer is to steal Grogan's ledger and join the Salvation Army mission. But everyone thinks that Ben has stolen the ledger, and soon Sullivan, Queen Lil, Grogan and Johanson are all after him to get the ledger back. ~ Paul Brenner, All Movie Guide
[More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
lost interest.
Gaily, Gaily is visually quite attractive, but narratively it leaves a lot to be desired. This is especially unfortunate given that it opens very promisingly and for a while seems to be laying the foundation for a good coming-of-age reminiscence, laced with plenty of nostalgia. Unfortunately, halfway through the filmmakers abandon what has gone before to concentrate on a slapstick chase which throws the whole tone out of whack, and from which it never recovers. The first half was not perfect: the pacing is off in places, the main character's innocence and naivete is exaggerated to an extent that borders on annoying, other characters are a bit "stock," and one never gets quiet as involved with the proceedings as one wishes. But it kept the viewer's attention, and held promise. The second half simply barrels along, but without the comic impact it thinks it is having, and ends up becoming a big bore. Blame rests equally with the writer and director Norman Jewison, neither of whom is in control of the second half. The cast at least is good. If Beau Bridges gets a bit too one note, that is more than redeemed by Melina Mercouri's gorgeous madam, Brian Keith's worldly Irish journalist and Hume Cronyn's oily politico. The physical production is striking, and Henry Mancini's score is sleek and lovely. Gaily could and should have been much better. ~ Craig Butler, All Movie Guide
 

Community ratings

mavens
Spout mavens
haven't rated it
most people
Most people
are not interested.

Other opinions

Elizabeth-Hoffman
Elizabeth-Hoffman
is not interested.