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Five Star Final
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Directed by Mervyn LeRoy.
Adapted from the stage play by former newspaperman Louis Weitzenkorn, Five Star Final is an uncompromising look at the consequences of journalistic irresponsibility. Hounded by his publishers to pep up circulation with a sensational story, newspaper editor Edward G. Robinson decides to revive public interest in a long-ago murder case. He discovers that a woman (Sally Starr) who'd shot her lover nearly three decades earlier is now living under a new name and is married to a pillar of society (H.B. Warner). The woman's daughter (Marian Marsh) is just about to marry the son (Anthony Bushell) of another wealthy couple. Robinson sends one of his slimier reporters (Boris Karloff), a onetime divinical student who'd been expelled for sexual misconduct, to visit the woman and secure a photograph. The underhanded reporter disguises himself as the clergyman who will officiate at the wedding, worms his way into the family's confidence, and appropriates the photo. When the story hits the papers, the woman desperately tries to call Robinson and ask him to cease and desist, but Robinson is unmoved. The disgraced woman commits suicide, as does her husband a few moments later. The groom's parents snobbishly try to call off the wedding, but the groom stands by his fiancee's side and is disinherited. The grief-maddened daughter breaks into Robinson's office with a gun, threatening to kill him for ruining her mother. She is calmed down by her fiance, who warns Robinson that he himself will come back for revenge if the newspaper ever mentions the dead woman's name again. The conscience-stricken Robinson quits his job and sets out with his faithful secretary (Aline MacMahon) to start his life over "clean." Despite some stilted performances by the supporting cast, Five Star Final is as potent and powerful as it was in 1931, right up to Edward G. Robinson's climactic (and shockingly scatological) renunciation of his filthy profession. Five Star Final was remade in 1936 as Two Against the World, this time set in a radio station instead of a newspaper office. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
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In 1931, at the dawn of the era of sound motion pictures, many of the standards for film genres were set. Nominated for an Oscar as the year's best film, Five Star Final was the prototypical newspaper movie which was widely imitated in the 1930s and 1940s. It features many of the aspects of such films that would later become cliches, including a hard-bitten newspaper editor (played by Edward G. Robinson), an unscrupulous reporter (played by the great villain Boris Karloff) and a cast of crusty journalists and outraged citizens. It's a thorough condemnation of yellow journalism and sets forth the same kind of tensions and themes that many decades later could be found in such newspaper films as All the President's Men and Absence of Malice. Like all such films, there is redemption in exposing hypocrisy and pursuing truth. Prolific director Mervyn LeRoy was at the helm. Five years later, the plot was recycled, with the setting shifted to a radio station, in Two Against the World, starring Humphrey Bogart. ~ Michael Betzold, All Movie Guide
 



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