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The Cheap Detective
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Directed by Robert Moore
Spoofing the entire 1940s detective genre, and his own performances as a bumbling private detective, Peter Falk plays Lou Pekinpaugh, a San Francisco private detective accused of murdering his partner at the instigation of his mistress, the partner's wife, Georgia Merkle (Marsha Mason). Police Lieutenant DiMaggio (Vic Tayback) has his eye on Lou and blunders around in a way which complicates Lou's efforts to clear his name. Lou gets a new client when Mrs. Montenegro (Madeline Kahn) and her cronies (John Housman, Paul Williams and Dom DeLuise) hire him to search out a dozen diamond eggs. Marlene DuChard (Louise Fletcher) also comes to him for help of a complicated nature. In this madcap comedy written by Neil Simon, obstacles and complications appear every few minutes, and a great many famous actors show up in hilarious cameos. ~ Clarke Fountain, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Most of Neil Simon's work is in what might be termed traditional comedy, but in the mid-'70s, he made a couple of detours into parody, as in The Cheap Detective. Though not a classic film, it's a nice change of pace for Simon, and played into the then-current trend toward spoofing film genres (e.g., Young Frankenstein, Blazing Saddles, and Simon's own Murder By Death). The plot is extremely convoluted, as befits a spoof of the hard-boiled private eye picture. Simon can't quite maintain the rapid fire succession of gags (visual and verbal) and director Robert Moore can't quite maintain the necessary pace, but for the most part, the film is good fun. The cast helps matters greatly, with Peter Falk as a rather nutty Humphrey Bogart type and Madeline Kahn hilarious as a Mary Astor-like character who keeps changing her name (to, among other things, Norma Shearer). Eileen Brennan creates a very memorable saloon crooner, and Ann-Margret is wonderful as the most fatale of femme fatales. Special credit should also go to Charles R. Pierce for his careful rec-reation and slight exaggeration of film noir settings, and to Patrick Williams' score, a loving homage with a zing of its own. ~ Craig Butler, All Movie Guide
 

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